Yellowpop Neon Flowers lighted Wall Hanging/Sign - brand new in box

2022

Yellowpop, After Andy Warhol Neon light Campbell's Soup Can Wall Display Sign, 2022 Brand new in bespoke box with original packaging bearing Warhol's authorized printed signature with everything included Makes an excellent gift. Acrylic-printed soup can lined with red neon LED artwork with energy-efficient tubing, full board backing Box is plate signed; accompanied by official COA authorized by the Warhol Foundation (Numbered 212 from Edition of 500) 24 1/2 × 14 inches Unframed LIMITED EDITION OF 500. ACCOMPANIED BY A NUMBERED CERTIFICATE OF AUTHENTICITY AUTHORIZED BY THE WARHOL FOUNDATION. Turn the ordinary into the extraordinary! This LED neon sign...

Ed Ruscha OLD SMOBILE (Hand signed and inscribed to famous California native Stan Smith), 1989 Limited Edition Softcover monograph (Hand signed and inscribed to famous California nat...

Yayoi Kusama Infinity Mirrored Room: The Souls of Millions of Light Years Away: Leather Clutch Purse in Original Box, 2017 Leather outside; polyester inside 6 × 10 × 2 inches This leather clutch with polyester on the inside, is, according to the manufacturer, the most popular product they ever sold. It was created exclusively for the Broad Museum in a limited edition of an undisclosed amount, and has long sold out. Brand new in original box. Makes a wonderful gift! The clutch purse itself measures 6 inches vertical x 10 inches horizontal, and the box measures 6.75 inches x 10.75 inches. Inspired by Yayoi Kusama's iconic artwork, Infinity Mirrored Room: The Souls of Millions of Light Years Away, 2013—originally done in wood, metal, glass mirrors, plastic, acrylic panel, rubber, LED lighting system, acrylic balls, and water - this collectible and very wearable purse features perspectives of the room's expansive interior. YAYOI KUSAMA BIOGRAPHY Yayoi Kusama's work has transcended two of the most important art movements of the second half of the twentieth century: Pop art and Minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes. Born in 1929 in Matsumoto, Japan, Kusama’s work has been featured widely in both solo and group presentations. She presented her first solo show in her native Japan in 1952. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking and influential happenings, events, and exhibitions. Her work gained renewed widespread recognition in the late 1980s following a number of international solo exhibitions, including shows at the Center for International Contemporary Arts, New York, and the Museum of Modern Art, Oxford, both of which took place in 1989. She represented Japan in 1993 at the 45th Venice Biennale, to much critical acclaim. In 1998, the Los Angeles County Museum of Art and the Museum of Modern Art, New York, co-organized Love Forever: Yayoi Kusama, 1958–1968, which toured to the Walker Art Center, Minneapolis (1998-1999), and Museum of Contemporary Art, Tokyo (1999). More recently, in 2011 to 2012, her work was the subject of a large-scale retrospective that traveled to the Museo Nacional Centro de Arte Reina Sofía, Madrid; Centre Georges Pompidou, Paris; Tate Modern, London; and the Whitney Museum of American Art, New York. From 2012 through 2015, three major museum solo presentations of the artist’s work simultaneously traveled to major museums throughout Japan, Asia, and Central and South America. In 2015, the Louisiana Museum of Modern Art in Humlebæk, Denmark, organized a comprehensive overview of Kusama’s practice that traveled to Henie-Onstad Kunstsenter, Høvikodden, Norway; Moderna Museet, Stockholm; and Helsinki Art Museum. In 2017-2019, a major survey of the artist’s work, Infinity Mirrors, was presented at the Hirshhorn Museum and Sculpture Garden, Washington, DC; Seattle Art Museum; The Broad, Los Angeles; Art Gallery of Ontario, Toronto; The Cleveland Museum of Art, Ohio; and the High Museum of Art, Atlanta, Georgia. Yayoi Kusama: Life Is the Heart of the Rainbow, which marked the first large-scale exhibition of Kusama’s work presented in Southeast Asia, opened at the National Gallery of Singapore in 2017 and traveled to the Queensland Art Gallery | Gallery of Modern Art in Brisbane, Australia and the Museum of Modern and Contemporary Art in Nusantara, Jakarta. In 2019, All About Love Speaks Forever, an exhibition "tailor-made" specifically for the Fosun Foundation, Shanghai included more than 40 works by the artist. A comprehensive retrospective of the artist’s work was on view at Gropius Bau, Berlin in 2021, and traveled to the Tel Aviv Museum of Art in 2022. KUSAMA: Cosmic Nature...

Ed Ruscha The Amazing Earth, in gift box hand signed twice by Ed Ruscha, ca. 2017 Re-usable ocean bag created from 5 intercepted plastic bottles. In presentation box, uniquely hand s...

Red Grooms "Our First Brush With Red Grooms/ It Was Exciting!", 1968 Paint brush with paint inside acrylic casing 11 × 3 1/2 × 2 inches Unframed This paint brush - with original pain...

Red Grooms New York City Newsstand, "Extra, Extra Read All About It", 2003 Mixed Media 3-D Construction in Custom Fitted Lucite Box 20 × 26 1/2 × 10 1/2 inches Frame included Edition of 50 Hand signed and numbered from the limited edition of 50 In this Mixed Media 3-D Construction in custom fitted lucite box, Pop Art star Red...

Sexy Robot Floating (Black), 2020 PVC, plated resin, alloy, and LED light 22 × 14 × 14 in 55.9 × 35.6 × 35.6 cm Edition of only 250.

Acrylic/neon/objects on iron. Signed by the artist in the lower right. Free shipment worldwide. Acquired directly from the artist. Artist Peter Klasen is a master of contrasts. Of...

Rolling Risky 2022 Acrylic, spray paint, crushed abalone on hand-painted, hand-woven strips of Coventry Rag Archival paper. Framed in white wooden Frame. About RISK: RISK (Kelly...

Rolling Risky Red 2022 Acrylic and aerosol on hand strips of Coventry rag archival paper. About RISK: RISK (Kelly Graval) (b. 1967) was one of the first artists to exhibit graffiti and street art in galleries. With a background in fine art, Graval has a style defined by cleanly executed lettering paired with graphic imagery and architectural lines. He has participated in a number of street art crews, most famously West Coast Artists (WCA) and the Seventh Letter. In the course of his nearly 30-year career, Graval has become one of the most influential figures for subsequent generations of graffiti artists, particularly in Los Angeles. He is also considered one of the first artists to have painted on freight trains, as well as a pioneer of “painting in the heavens”—a graffiti term referring to highly elevated surfaces like billboards, rooftops, and overpasses. Kelly "RISK" Graval has been synonymous with the Los Angeles art community for over 30 Years. From his early days as a founder of the West Coast Graffiti movement to gallery and museum exhibits around the globe, including the 2012 "Art In The Streets" at the LA MoCA and the hugely successful “Beyond The Streets” exhibits in Los Angeles and New York. His work is shown at top galleries in Los Angeles, San Francisco, Toronto, New York, Miami, and London. 10 Things to Know About Risk 1. He was knighted by the Medici Family 2. He was the first artist invited to paint in Michael Angelos studio in over 400 years 3. He was the first West Coast artist to paint the N.Y. Subway Trains. During summer break from high school in 1987, he hitchhiked to New York to paint Subway trains. He spent a few weeks painting trains, tunnels, and streets. He gained attention and met many of his inspirations including Lee Quinones, and Henry Chaflant 4. He was the first to paint freight trains on the West Coast and started the freight train movement. He was also the first to paint a top to bottom freight. 5. He was the first to paint freeway overpasses and signs. This later became dubbed heavens by his crewmates Wisk and Ser who went on to dominate freeway signs throughout Los Angeles. 6. He was the the first to paint full-color pieces and productions on the freeway creating the Los Angeles freeway movement 7. He won the world Graffiti Championship with partner Slick in England held in 1989 8. After winning the National Scholastics Arts Award in High School, he received scholarships to Savannah School of Arts and Design, as well as Pasadena Arts Center. He was very active in the streets and struggled to commit to school. He was arrested multiple times and spent a short stint in Los Angeles County Jail. He ended up attending the University Of Southern California Fine Arts. Risk finished art at USC despite being kicked out for painting a mural on the roof of the Fine Arts Department. He was later reinstated with a scholarship. The University went on to make a post of the mural and sent it to every High School in the United States. 9. Risk worked with too many Hollywood personalities, bands, and artist peers to mention, including Ice Cube, Red Hot Chili Peppers, Janes Addiction, Guns and Roses, Michael Jackson, and many more. Aerosmith quotes, "Risk is to graffiti what Aerosmith is to Rock and Roll." Collaborated with Ed Moses, Shepard Fairey, Ron English, Blade, Lee, Futura, Robbie Conal 10. Risk helped pioneer streetwear with his iconic Third Rail Streetwear line. The brand was incredibly successful and lasted 18 years until Risk walked away from it and sold it on his daughter's 1st Birthday...

Resin cast geodes and cracked slate in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplinary artist and designer who lives and works in Los Angeles, CA. Smith is most notable for creating “Urban Geode,” a street art series of sculptures that resemble geodes, made entirely of paper and resin casts. Always interested in geology, Smith started to notice the nooks and crannies in the sides of buildings, walls, and abandoned phone booths within her community of the Historical Arts District (in Los Angeles). Seeing this as an opportunity to create, Smith took street-art to a whole new level. Since beginning the project, she has created large-scale installations for well-known brands such as The Standard, Hollywood; The Viper Room...

Two Tulips in a Color Field, 2019