Fillipus Sheehama

Integration, Fillipus Sheehama, recycled plastic, Namibian art, woven

2017

Reclaimed freedom of speech 2, 2020. Mixed media Elisia Nghidishange was born in Eenhana in northern Namibia. This printmaker, sculptor and mixed me...

Reclaimed freedom of speech 1, 2020. Mixed media Elisia Nghidishange was born in Eenhana in northern Namibia. This printmaker, sculptor and mixed me...

Restoration of dignity, 2015. Recycled Plastic Namibian mixed media artist Fillipus Sheehama often constructs artworks using recycled and found materials which he uses to explore issues relating to social and economic inequality. Sheehama’s work is grounded in observation. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...

Birthday Celebration, 2015. Recycled Plastic Namibian mixed media artist Fillipus Sheehama often constructs artworks using recycled and found materials which he uses to explore issues relating to social and economic inequality. Sheehama’s work is grounded in observation. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...

Elephant in the Room, 2020. Mixed Media: Makalani nut piths and wire Fillipus Sheehama's latest large-scale sculptural textiles have grown out of...

Dominance, 2021. Mixed Media: Makalani nut piths, plastic and metal Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...

Mixed Media and epoxy polymer on wood panel 40.6 x 40.6 cm 16 x 16 in ----------- Klari Reis uses the tools and techniques of science in her creative proces...

Ed Ruscha The Amazing Earth, in gift box hand signed twice by Ed Ruscha, ca. 2017 Re-usable ocean bag created from 5 intercepted plastic bottles. In presentation box, uniquely hand s...

John Cage I–VI (Hand signed box set), 1990 Boxed set: Mixed media hand signed hardback monograph accompanied with 2 audio cassettes and dust jacket and ...

Yellowpop, After Andy Warhol Neon light Campbell's Soup Can Wall Display Sign, 2022 Brand new in bespoke box with original packaging bearing Warhol's authorized printed signature with everything included Makes an excellent gift. Acrylic-printed soup can lined with red neon LED artwork with energy-efficient tubing, full board backing Box is plate signed; accompanied by official COA authorized by the Warhol Foundation (Numbered 212 from Edition of 500) 24 1/2 × 14 inches Unframed LIMITED EDITION OF 500. ACCOMPANIED BY A NUMBERED CERTIFICATE OF AUTHENTICITY AUTHORIZED BY THE WARHOL FOUNDATION. Turn the ordinary into the extraordinary! This LED neon sign...

Keith Young Pow! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 12.25x11.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1134 -------------------...

Yayoi Kusama Infinity Mirrored Room: The Souls of Millions of Light Years Away: Leather Clutch Purse in Original Box, 2017 Leather outside; polyester inside 6 × 10 × 2 inches This leather clutch with polyester on the inside, is, according to the manufacturer, the most popular product they ever sold. It was created exclusively for the Broad Museum in a limited edition of an undisclosed amount, and has long sold out. Brand new in original box. Makes a wonderful gift! The clutch purse itself measures 6 inches vertical x 10 inches horizontal, and the box measures 6.75 inches x 10.75 inches. Inspired by Yayoi Kusama's iconic artwork, Infinity Mirrored Room: The Souls of Millions of Light Years Away, 2013—originally done in wood, metal, glass mirrors, plastic, acrylic panel, rubber, LED lighting system, acrylic balls, and water - this collectible and very wearable purse features perspectives of the room's expansive interior. YAYOI KUSAMA BIOGRAPHY Yayoi Kusama's work has transcended two of the most important art movements of the second half of the twentieth century: Pop art and Minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes. Born in 1929 in Matsumoto, Japan, Kusama’s work has been featured widely in both solo and group presentations. She presented her first solo show in her native Japan in 1952. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking and influential happenings, events, and exhibitions. Her work gained renewed widespread recognition in the late 1980s following a number of international solo exhibitions, including shows at the Center for International Contemporary Arts, New York, and the Museum of Modern Art, Oxford, both of which took place in 1989. She represented Japan in 1993 at the 45th Venice Biennale, to much critical acclaim. In 1998, the Los Angeles County Museum of Art and the Museum of Modern Art, New York, co-organized Love Forever: Yayoi Kusama, 1958–1968, which toured to the Walker Art Center, Minneapolis (1998-1999), and Museum of Contemporary Art, Tokyo (1999). More recently, in 2011 to 2012, her work was the subject of a large-scale retrospective that traveled to the Museo Nacional Centro de Arte Reina Sofía, Madrid; Centre Georges Pompidou, Paris; Tate Modern, London; and the Whitney Museum of American Art, New York. From 2012 through 2015, three major museum solo presentations of the artist’s work simultaneously traveled to major museums throughout Japan, Asia, and Central and South America. In 2015, the Louisiana Museum of Modern Art in Humlebæk, Denmark, organized a comprehensive overview of Kusama’s practice that traveled to Henie-Onstad Kunstsenter, Høvikodden, Norway; Moderna Museet, Stockholm; and Helsinki Art Museum. In 2017-2019, a major survey of the artist’s work, Infinity Mirrors, was presented at the Hirshhorn Museum and Sculpture Garden, Washington, DC; Seattle Art Museum; The Broad, Los Angeles; Art Gallery of Ontario, Toronto; The Cleveland Museum of Art, Ohio; and the High Museum of Art, Atlanta, Georgia. Yayoi Kusama: Life Is the Heart of the Rainbow, which marked the first large-scale exhibition of Kusama’s work presented in Southeast Asia, opened at the National Gallery of Singapore in 2017 and traveled to the Queensland Art Gallery | Gallery of Modern Art in Brisbane, Australia and the Museum of Modern and Contemporary Art in Nusantara, Jakarta. In 2019, All About Love Speaks Forever, an exhibition "tailor-made" specifically for the Fosun Foundation, Shanghai included more than 40 works by the artist. A comprehensive retrospective of the artist’s work was on view at Gropius Bau, Berlin in 2021, and traveled to the Tel Aviv Museum of Art in 2022. KUSAMA: Cosmic Nature...