Gail Biederman

Gail Biederman "Chelsea", 2003 thread painting New York City Series

2003

Tom Sachs Satan Ceramics Zine, 2015 1000 Black and White copies 64 pages 5.5" x 8.5" Staple bound in NYC sold out/out of print

Brice Marden Book of Images, 1970 Karma, New York, 2013 224 pages 7 × 4 1⁄4 inches Edition of 1,000 Out of print The forgoing suite: work same shapes only so I can push differences ...

Dan Flavin: The 1964 Green Gallery Exhibition, 2008 Text by Jeffrey Weiss unopened, new, in original shrink wrap Publisher: Steidl/Zwirner & Wirth Artis...

Julian Schnabel Draw a Family, 2014 Out of print Hardcover Excellent condition ISBN-10: 1938560701 Author: Julian Schnabel Publisher: Karma, NY Publicat...

Nick Mauss "Not another word for it“, 2012 Silkscreen on mirror 15.75 x 11.5 inches/40 × 29 cm Edition: 100 + 20 A.P. signed and numbered on the back A.P. P...

Christopher Wool, 2013 Hardcover with dust jacket, 256 pages Published by Guggenheim Museum 11 x 9 x 1 inches (28 x 23 x 2.5 cm) R.ISBN-100892074981 ISBN-139780892074983 unopened

Butterfly with Mended Wing is a study of the human condition and the work we all do in our own lives to belong more fully to ourselves. The red stitch on the wing is symbolic of our ...

Butterfly with Mended Wing is a study of the human condition and the work we all do in our own lives to belong more fully to ourselves. The red stitch on the wing is symbolic of our ...

Chasing the Fog :: Learning how to Breathe is an exploration of personal identity specific to love, loss, and what lives in between them. This project investigates the unspoken dialogue, the “subtext” that’s always happening while moving through the multifaceted experience of relationship...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...