Ruth Eastman

The Beauty and the Geese

1915

Signed Lower Left Illustrated in October 23, 1938 Issue of "This Week Magazine" Page 3

Medium: Charcoal, Pastel, and Watercolor on Board Signature: Signed Lower Right Sight Size 18.75" x 15.25;" Framed 27.50" x 15.25" circa 1920 Girl with Braids...

Medium: Charcoal, Pastel, and Watercolor on Board Signature: Signed Lower Right Sight Size 16.00;" Framed 28.00" x 25.00"

Medium: Pastel, Gouache, and Black Crayon on Paperboard Sight Size 22.88" x 17.50", Framed 31.75" x 26.50" Signature: Signed EVERETT SHINN and Dated Vanity Fair Cover...

Medium: Pastel and Gouache on Board Signature: "Alice Beach Winter" Lower Right "Boy with Clarinet" is a cover illustration for Children Magazine, ...

Medium: Mixed Media on Board Signature: Signed Lower Center "Dancing the minuet before a camera and the hundred people behind it isn't the same as just dancing because you like the ...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Richard Smith, British (1931-2016) Untitled (Abstract Composition) (1976) Gouache, crayon, charcoal and metal staples on Arches paper Hand signed lower center sheet: 22 x 22 inches ...

Original drawing of a woman heading to market by the well known American artist, Everett Shinn. Mixed media work created with charcoal, pastel and gouache. Signed with the artist’s initials lower right and dated 1916. Condition is very good. Under glass. Matted and in a period gold frame with restorations. Overall framed measurements are 23.5 by 17.25 inches. Provenance: A New York City estate. Everett Shinn (1876 – 1953) Everett Shinn, a realist artist associated with the Ashcan School and member of “The Eight” was born in New Jersey in 1876. After showing an aptitude for the arts as a child, at age 15, Shinn was enrolled at the Spring Garden Institute in Philadelphia. He quickly moved on to classes at the Pennsylvania Academy of the Fine Arts and by the age of 17, he was working as a staff artist for the Philadelphia Press. While working at the Press, Shinn befriended fellow artists William J. Glackens, George Luks, and John Sloan. This group, with Robert Henri and Joseph Laub, established the Charcoal Club, a social and intellectual sort of alternative art school. In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...

This layered paper and drawing collage titled "House Studies Series VI" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a...

This layered paper and drawing collage titled "House Studies Series VIII" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through...

Jack Hooper "Side Stretch Nude 2" 9/7/1984 Gouache and pastel on paper 20"x26" unframed Signed and dated in pencil lower right In this modernist masterpiece, Jack Hooper deftly navi...