Jessica Leighton

Autumn Fields, Jessica Leighton, Original Landscape Paint, Mixed Media Art

2019

Magdalena Morey Exploring Every Path 3 Original Cubist Inspired Landscape Painting Mixed Media on Canvas Canvas Size: H 30cm x W 30cm x D 3.5cm Sold Unframed (Please note that in sit...

Bliss for Bees Nicky Chubb 50x50x4 cm Original painting Acrylic on canvas Nicky was born in Durham in 1969 and grew up in Manchester, moving to Surrey in 1986. She originally trained...

Woodland Dapple is an original semi-abstract painting by Jon Rowland. This is one of a series of paintings that has seen a shift to a warm palette. The picture follows on from the ab...

Across the Land by Karen Birchwood [2019] Original painting Mixed media: Acrylic, cardboard and collage on canvas. Image size: H:76 cm x W:76 cm Complete Size of Unframed Work: H:76...

This painting explores the graphic simplification of the wild coastline around the Hartland Point lighthouse in North Devon, England. The point marks th...

A painting with a presence......strong warm colours in high contrast with dramatic movement through the middle section. Some qualities of landscape but a painting for the viewer to i...

Mixed media abstracted landscape composition on handmade paper of a town on the edge of a lake, in monochromatic orange tones with white accents, by Grace Eichholz (American, b. 1927...

This semi-abstract landscape has a vibrant palette of reds, burnt oranges, cool blues and textured surfaces with abstract trees resembling wish bones. The mystical nature of the tree...

This framed 24.8" x 24.8" acrylic on linen painting, 'Beyond the Lullabye Trees,' by Noelle McAlinden is from her 'Lullaby Trees' series. This abstracted landscape painting feature...

Acrylic on an impasto ground. With gold paint and atomized acrylic glazes. Colonists have a habit of naming their new homes after their old ones. If we have to leave this planet, wil...

In "Holes and Slices", Peña creates a silhouette of house and fills it with bubbly curved shapes and contrasts them with sharpe-edged shapes that contain gradients and muted tones of aqueous colors such as teal and light blue. He balances these colors with muted tones of pink and violet. The viewer can create a house that is yet to be built in between the gaps here. In "Holes and Slices", Peña remarks on a house and landscape that has yet to be built. The aquatic nature seems to hint at the possibility of a house and landscape under water. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small bubble-like cut outs where the viewer can see through to the pattern created with watercolor and acrylic paint. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...

Stephen Mueller (American, 1947-2011) Southwest Spirit, 1973 Mixed media on paper Signed 'Stephen Mueller 4 '73 NYC' on the reverse Full sheet: 36 x 24 inches In vintage wood frame. Over all dimensions 39.75 X 27.75 Inches Provenance: William Talbot...