Polka Dots No. 51
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John Randall NelsonPolka Dots No. 512016
2016
About the Item
- Creator:John Randall Nelson (1956, American)
- Creation Year:2016
- Dimensions:Height: 15 in (38.1 cm)Width: 13 in (33.02 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU41031079223
John Randall Nelson
While it’s neither completely outsider art nor folk art, the work of John Randall Nelson shares common ground with those styles, particularly in its rawness and nonconformity. He uses symbols and archetypes in his paintings and sculptures, having developed a distinct artistic vocabulary over the years that materializes in his work in text and graphic elements.
Nelson was born in Princeton, Illinois, but works out of Phoenix, Arizona. Early visits to the Art Institute of Chicago introduced Nelson to painters such as Jim Nutt, Roger Brown and Karl Wirsum. He decided to move to Arizona to study at Arizona State University where he earned his MFA in 1996.
Nelson’s subjects are as playful as they are peculiar — his textured paintings, which feature collages, layers of oil paint and an integration of text, feature everything from animals and flowers to imagined human-animal hybrids or everyday objects such as shoes and bicycles. Many paintings are populated with brightly colored polka dot patterns while his Pop art-inflected steel sculptures take on fantastical forms and draw on the Pattern and Decoration movement, which emerged in cities such as Los Angeles and New York during the early 1970s.
Nelson has exhibited all over the United States. His sculptures can be found at the Scottsdale Center for the Arts, the Sky Harbor Airport in Phoenix and the Phoenix Children’s Hospital. Nelson’s work is held in a number of private, public and corporate collections including Apple Inc., Phoenix Public Art and Design, the American Folk Art Museum and many other institutions.
On 1stDibs, find a collection of original John Randall Nelson paintings and other art.
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