John Rozelle

Passage Series #15, Mixed Media Collage Painting African American Artist

1989

Gelfman mirrors nature's movement in this mixed media artwork. The bright white crevices throughout the piece echo the tropical hues of her native Miami while simultaneously creating a treetop effect. Curvaceous planes and texture shift across the wooden surface of the work. This exploration of yellow pays tribute to her Abstract Expressionist generation and serves as the artist's ode to the primary color. LYNNE GOLOB GELFMAN, USA, New York, b. 1944 Lynne Golob Gelfman’s abstract and transcendent artworks are vivid reflections on the kinetic nature of our society and environment. Upon first glancing at the surface of Gelfman’s paintings, the viewer might be struck by the subtle shifts of the paint and brush strokes. Yet, the more a participant engages with the artist’s work, the more dynamic and convoluted they become. The energy found in nature, waves, dunes and clouds sprawl across Gelfman’s canvases, inviting the viewer to explore their inherent kinetism. As part of the baby boomer generation, Lynne Golob Gelfman was born in 1944. Raised in New York, she also spent time living in Bogotá, Colombia as an American Field Service student. In 1961, Gelfman entered the Sarah Lawrence College, graduating in 1966, then continued her education at Columbia, earning an MFA in 1968. In the early ‘70s, Gelfman relocated to Miami with her husband. Between her travels in South America and her Miami residence, she came to value the strong ties she fostered with Latin American culture. Although she has extensive connections to South America, Gelfman is an artist also deeply influenced by the North American Abstractionist context she grew up in. This fusion of cultures and a number of other inspirations are incorporated into her creativity. Apart from being a collector of textile and basketry fragments, her interests also extend into Agnes Martin’s meditative paintings, Morris Louis's furling series, and Bridget Riley’s illusionistic surfaces. Nature and illusion are omnipresent forces in Gelfman’s work. Her acrylic or oil constructs have a textile-like appearance which seek to engage the viewer’s senses. This is apparent in the unconventional tools (such as sanding machines) the artist uses to create texture. In 2006, Gelfman hinted at her artistic process when she titled her shows in New York and at the Fredric Snitzer Gallery resist and react, respectively, highlighting the thrust and drag motions represented in paintings. The allure of Gelfman’s shimmering pieces lies in their ability to simultaneously reflect movement, hue and patterns with a hint of fantasy. Gelfman has shown in more than 40 international solo shows and participated in numerous group exhibitions. Her paintings are held in the permanent collections of museums such as the Pérez Art Museum of Miami; the Museum of Contemporary Art, North Miami...

Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins ...

Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins ...

22X30 without frame, 29X36 with frame Peter (Gethin) Thomas is active/lives in District Of Columbia. Peter Thomas is known for abstract expressionist painting. He was Dean of the Corcoran School of Art in the 1970s and then became the head of the Graphics Department at the Federal Reserve, both in Washington, D.C. On that faculty were some outstanding artists and fine teachers. William Christenberry, Sam Gilliam, Ed McGowin, Robert Stackhouse, Brockie Stevenson, Peter G...

Genre: Avant-Garde Subject: Abstract Medium: Mixed Media, Acrylic Surface: Wood Country: United States Dimensions: 23.5" x 16" Dimensions w/Frame: 24" x 16.5" Reminiscent of the Art Brut work of french master Jean Dubuffet this mixed media piece pulls it all together in a great colorful composition. Alexander Raymond Katz, Hungarian / American (1895 – 1974) Alexander Raymond Katz was born in Kassa, Hungary, and came to the United States in 1909. He studied at the Art Institute of Chicago and the Chicago Academy of Fine Arts. In the late 1920s, he worked as a director of the Poster Department at Paramount Studios. He was appointed the Director of Posters for the Chicago Civic Opera in 1930. During the Great Depression, notable architect Frank Lloyd Wright urged Katz to become a muralist. In 1933, he was commissioned to paint a mural for the Century of Progress...

American artist and composer, a pioneer in abstract Judaica; was influenced by his Sephardic roots and leaves a great collection of work in private collections worldwide. He died in ...

SANDI NEIMAN (b. 1959) Title: Bird to Bird Medium: Mixed Media; Cold Wax and Oil Pigments on cradled board Measurements: 12 x 24 in

Ryoko Endo was born into a traditional family in Fukushima, Japan and attended a Catholic mission school. As a child, her mother encouraged her to wear a glove on her dominant left h...

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

Scott Andresen’s collage and mixed media works explore themes of repair. In the summer of 2010, a major life event occurred when he was bicycling and was struck by a car, suffering a...

Framed with an archival mat and plexiglass with a dark maple wood frame. Framed dimensions are approximately 22 x 18 inches. Craighead describes his work as inhabiting a space between objective and nonobjective painting. The combination of these two worlds, serve as a matrix for what are essentially autobiographical paintings. He is interested in the symbolic potential of the objective world and the possibilities abstraction presents in suggesting the unknown. For a year in the mid-1990’s, circumstances forced Craighead out of his studio and he was left to work at a kitchen table on...

Framed with an archival mat and plexiglass with a dark maple wood frame. Framed dimensions are approximately 22 x 18 inches. Craighead describes his work as inhabiting a space between objective and nonobjective painting. The combination of these two worlds, serve as a matrix for what are essentially autobiographical paintings. He is interested in the symbolic potential of the objective world and the possibilities abstraction presents in suggesting the unknown. For a year in the mid-1990’s, circumstances forced Craighead out of his studio and he was left to work at a kitchen table on...