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Liudmila Kondakova
Rive Gauche

1999

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    By Christo
    Located in Zug, CH
    Ponte Sant’Angelo, Wrapped, Project for Rome - Christo, Contemporary, 21st Century, Collage, Limited Edition Collage on lithograph with acrylic frame Edition of 160 Arab and 90 Roman Signed and numbered, with Certificate of Authenticity In mint condition, as acquired from the publisher Among the various man-made and nature's creations, wrapping bridges has always been an important subject that Christo, but also together with wife and artist-collaborator Jeanne-Claude, marked the foundation of their most celebrated series (as Christo and Jeanne-Claude). Wrapping the Ponte Sant'Angelo has been a dream of the artist(s), as it is the oldest bridge in Rome and it also connects the Vatican with the city of Rome. Since their proposition submission to proceed with the installation in 1967, this project remains unrealized. "And for every project, because it takes years, you can see the early drawings and collages as just a simple, vague idea, and through the years and through the negotiations of getting the permit, you see that every detail is now clarified." — Christo Exploring the opportunities of wrapping a built-environment, the artist(s) offers the possibility to review it by applying a new appreciation of its form and volumetric qualities. Creating a layer of abstraction to a figurative and real environment. By applying fantasy to a real occasion, at a gigantic scale, the artist(s) puts the viewer at once in a life-time experience to unravel the metamorphoses of an object. CHRISTO Known as the power artists duo, Christo and Jeanne-Claude, created ephemeral environmental installations in urban and rural global locations. Christo and Jeanne-Claude (respectively, born June 13, 1935, Bulgaria—died May 31, 2020, New York, U.S.; born June 13, 1935, Morocco—died November 18, 2009, New York, U.S.) stand out for their environmental and sometimes controversial temporary outdoor installations, most notably the wrapping of world-famous architectonic icons like the “Wrapped Reichstag, Berlin”, 1995 or the project "The Gates, New York", which consists of over 7'503 steel gates with orange coloured fabric stretched acres 37 km of walkaway in Central Park. "The important thing to understand is that all of our projects have a nomadic quality, things in transition, going away, they will be gone forever. And this quality is an essential part of all our work. They are airy—not heavy like stone, steel, or concrete blocks. They are passing through." —Christo After Jeanne-Claude´s passing in 2009, Christo continued to carry out the couple’s proposed projects: “Big Air Package”, 2013 inflating an immense fabric dome within the cavernous Gasometer Oberhausen in Germany. As well as “The Floating Piers...
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  • Faberge Lillies of the Valley Egg with Unique Swarovski Crystals Mosaic Art
    By Oksana Tanasiv
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    Faberge Imperial Lilies Egg and Lilies 24″X18″ Oil and Swarovski® crystals mosaic on Canvas. Stretched and Framed. 2013 This piece is a Limited Edition Geclee reproduction of original art by Oksana Tanasiv painted in 2008. The uniqueness of this piece is that the art is hand-embellished by oil and mosaic of Swarovski crystals, each crystal installed individually by hand representing the exact design of original Faberge Egg. The interesting story behind this art is that artist, Oksana Tanasiv, was inspired by Faberge Eggs while she worked in the Faberge Inc company in Stamford, CT, during 2005-2009 years. She met Faberge's granddaughter Tatiana Faberge...
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  • Faberge Pansies Egg with Unique Swarovski Crystals Mosaic Art
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  • Faberge Diamond Trellis Egg with Unique Swarovski Crystals Mosaic Oil Art
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  • Bee columns, in a water-gilded frame, circa 1870
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    This work was created by Tom Rooth in the Cambrian Mountains of Wales. Production process: Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing. Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame. Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years. Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...
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  • Death's head moths under a full-moon, presented in a hand-carved c1880 oak frame
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