Magnus von Wright

Magnus von Wright - "Birds Drawings Composition" - unique ornithologieset of 10

19th Century

Amorphe Mythen #7 Mixed Media Amorphous Myths is a continuous series in which the techniques of painting and collage mix form an organic universe of abstract landscapes with figurat...

Giclee on heavy Handmade cotton paper Signed and inscribed with archive In great condition

Giclee on heavy Handmade cotton paper Signed and inscribed with archive In great condition

Rainer Stern - "Il Profumo". Giclée print on heavy handmade cotton paper. Edition: 30. Hand signed and numbered. A beautiful artwork that looks good in every room and especially ...

Ernst Bruzek - "Demeter". Giclée print handmade paper. Hand signed A beautiful artwork that looks good in every room and especially in the living room or bedroom. Can be framed a...

Konstantin Weber - "Rheinland". Giclée print on handmade cotton paper. Hand signed and numbered. A beautiful artwork that looks good in every room and especially in the living roo...

Furry friends always stay around us and bring joy and happiness. A Young Lee uses powder pigments and Jangji (Korean Paper) that maximize the depiction of soft fur and a warm feeling...

Mark Bradley Schwartz's (US based) "Untitled 12" is an original, handmade charcoal drawing that depicts a woman in profile with her long dark hair draped over her right shoulder with...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

A very attractive view of a rural lane in Pirbright by this highly collectable artist who was a contemporary and friend of John Constable. Dr William Crotch (1775-1847) Mr Pear's House at Pirbright from the Turnpike Signed with initials on reverse and inscribed as title and additionally " Thunder about/ 1 pm" watercolour and pencil 4 x 6½ inches without frame 11 x 13 inches with frame William Crotch (5 July 1775 – 29 December 1847) was an English composer and organist. According to the British musicologist Nicholas Temperley, Crotch was "a child prodigy without parallel in the history of music", and was certainly the most distinguished English musician in his day. Crotch was a professional musician, becoming the first Principal of the Royal Academy of Music...

In original gold leaf pierced frame Signed and dated lower right 1902 Sight size 7.5 x 9.5 in

Disegno del nudo maschile. Dal 19 ° secolo Disegno su carta leggermente colorata. In buone condizioni. Il disegno rappresenta un uomo sdraiato, che si abbandona al sonno. In una posa...