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Marilla Palmer
Marilla Palmer "Nasturtium Summer" - Floral watercolor and mixed media on paper

2021

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    Located in New York, NY
    Debra Smith Shifting Vision #5, 2017 pieced vintage silk 18 x 15 in. This original textile collage by Debra Smith features graphic shapes crafted with layers of vintage silk in vari...
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    2010s Abstract Paintings

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    Mixed Media, Found Objects, Silk

  • Debra Smith "Shifting Vision #3" -- Abstract Vintage Silk Collage
    By Debra Smith
    Located in New York, NY
    Debra Smith Shifting Vision #3, 2017 pieced vintage silk 18 x 15 in. This original textile collage by Debra Smith features graphic shapes crafted with layers of vintage silk in vari...
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    2010s Abstract Paintings

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  • Debra Smith "Shifting Vision #4" -- Abstract Vintage Silk Collage
    By Debra Smith
    Located in New York, NY
    Debra Smith Shifting Vision #4, 2017 pieced vintage silk 18 x 15 in. This original textile collage by Debra Smith features bold red silk squares carefully stitched with with layers ...
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    2010s Abstract Paintings

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    Mixed Media, Found Objects, Silk

  • Marilla Palmer "Flowers Like Fans" - Watercolor and Pressed Flowers on Paper
    By Marilla Palmer
    Located in New York, NY
    Marilla Palmer Flowers Like Fans, 2022 watercolor, pressed petals, sequin, stitching, fabric on Arches Hot Press paper 15 x 11 in. (pal214) This original artwork by Marilla Palmer i...
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    2010s Abstract Impressionist Abstract Drawings and Watercolors

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    Fabric, Paper, Mixed Media, Watercolor

  • Marilla Palmer "Communicating Flowers" - Watercolor and Pressed Flowers on Paper
    By Marilla Palmer
    Located in New York, NY
    Marilla Palmer Communicating Flowers, 2022 watercolor, pressed petals, sequin, stitching, Durabrite print on Arches Hot Press paper 15 x 11 in. (pal213) This original artwork by Marilla Palmer is a twist on the traditional Victorian botanical drawing, delicately painted with watercolor and collaged pressed flowers...
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    2010s Abstract Impressionist Abstract Drawings and Watercolors

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    Paper, Mixed Media, Watercolor

  • Marilla Palmer "Monarch Loves the Iris" - Watercolor and Flowers on Paper
    By Marilla Palmer
    Located in New York, NY
    Marilla Palmer Monarch Loves the Iris, 2022 watercolor, pressed petals, sequins, stitching, Durabrite print on Arches Hot Press paper 15 x 11 in. (pal215) This original artwork by M...
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    2010s Abstract Abstract Drawings and Watercolors

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    Paper, Mixed Media, Watercolor

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    "#224 – ABANDONED, SEPARATED" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto page 224 of a found copy of Ernest ...
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    "#186 – WOUNDED WERE COMING" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from page 186 to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text. The resulting poem reads "The wounded were coming / men that were scared / I felt the rain in my face / It was getting dark." – Hemingway's novel is a doomed romance between a wounded American soldier and an Italian nurse – note the feminine form on the page, with a "dress" or apron that looks skeletal, bloody and rained upon, all at once. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...
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    "#227 – I WAS AFRAID" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The art...
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  • "#152 – GOOD GIRL", ink, pencil, gouache, found vintage book, hemingway, poetry
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    "#152 – GOOD GIRL" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 152 of a found copy of Ernest Heming...
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  • "#71 – THEN IT'S HOPELESS?", ink, pencil, gouache, found vintage book, poetry
    By Amy Williams
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    "#71 – THEN IT'S HOPELESS?" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 71 of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from the page to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text of the poem. Here the poem reads: "Then it's hopeless? / But sometimes I cannot hope. / I cannot." Note the poem is outlined in dark red and purple radiating lines, while outside there are lighter violet, blue and white lines. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...
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