Matthias Klos

Orange Pink Japanese Papercutting Print on Silk

2021

Silk scarf with photogram by Matthias Klos: I only know Mifune and Kitano, 2020 Open Edition 100% silk (Crêpe de Chine), 65 x 65 cm Certified by ICEA GOTS [2020-032] Handrolled he...

Silk scarf with photogram by Regina Hügli: Trees (Nr. 5, Cornel), 2021 Open Edition 100% silk (Crêpe de Chine), 90 x 90 cm Certified by ICEA GOTS [2020-032] Handrolled hem, made in...

Silk scarf with photogram by Regina Hügli: Trees (Nr. 5, Cornel), 2021 Open Edition 100% silk (Crêpe de Chine), 90 x 90 cm Certified by ICEA GOTS [2020-032] Handrolled hem, made in...

Silk scarf with photogram by Regina Hügli: Trees (Nr. 6, Clematis), 2021 Open Edition 100% silk (Crêpe de Chine), 90 x 90 cm Certified by ICEA GOTS [2020-032] Handrolled hem, made...

Silk scarf with photogram by Regina Hügli: Trees (Nr. 6, Clematis), 2021 Open Edition 100% silk (Crêpe de Chine), 90 x 90 cm Certified by ICEA GOTS [2020-032] Handrolled hem, made...

Veronika Suschnig Soft Skills No. 037, 2023 Mixed media, cotton gauze on stretcher Framed, signed 70 x 50 cm Unique A net can catch anything. It’s an in-between space, like a filter...

Alexander Calder (after) Calder #1, 2001 100% silk scarf 33 × 35 inches - when unfolded and fully opened (Measures 10 square inches when folded an...

"Don't Wine" is a mixed media piece, predominately a serigraph, by Paula Schuette Kramer and Bill Weege. Both artists signed in pencil in the lower right, and the title is in the lower left. It is one of a an edition of 50. The print is an explosion of bright colors, but red, blue, and green dominated the composition as they fade through the background. A blue figure climbs up a ladder out of an apple, hefting a large wine bottle overhead, which they pour out into the sea of wine. A man, woman, and long-necked orange bird also look out from the apple, reading for the stem of a floating bunch of green grapes. A group surrounds the grapes with their heads and shoulders above the water, eating the fruit. Birds fly through the background, dodging wine glasses and a vase of flowers that seem to be tumbling from a flying carpet. The entire image feels very surreal. Art size: 12" x 10" Frame size: 19 1/4" x 17" Paula Schuette Kraemer is an independent artist living in Madison, Wisconsin...

Tracey Emin Exploration of the Soul from the Estate of Warhol's Agent, 1994 Tipped-in monoprint (unique) and ink inscription held in Hand signed and numbered (edition of 200) & ink i...

Tracey Emin Everybody Needs a Place to Think, 2002 Limited Edition Screenprint on Linen Handkerchief with VIP Invite in Original Box 21 × 20 1/4 inches Limited Edition of 1500 Plate ...

Louise Bourgeois Red Room (Parents) detail (double sided work), 2009 Screenprint and embroidery on two sided pillowcase with plate signature, artist's copyright and printed name 21 ×...

Yinka Shonibare Fabric-ation, 2013 Original Dutch wax print fabric chosen by the artist on Hardback cloth bound monograph with fabric covered board 12 1/2 × 11 × 1 1/2 inches Edition 21/50 (each entirely unique) Hand signed, dated and numbered 21/50 by Yinka Shonibare on the first front end page (see photo) Published by Yorkshire Sculpture Park, UK This gorgeous hand signed, numbered and dated monograph with hand made fabric covered boards was published on the occasion of the Yinka Shonibare MBE: Fabric - ation Exhibition at the Yorkshire Sculpture Park and the Kunstforeingen Gl Strand in 2013. 160 pages Hand signed, numbered and dated by artist in on the first front end page. Beyond the exhibition plates, the catalogue also includes an interview with the artist by Hans Ulrich Obrist and texts by Dr Rebecca Schneider and Jean Fisher. The book measures 12.5" x 11", and is 160 pages. Shonibare produced this beautiful catalogue in an edition of only 50, and is sold out. Each work is totally unique, and has been cloth bound using a different original Dutch wax print fabric with embellishments that was chosen by the artist. It is also signed and numbered by Shonibare. Taking place in three of YSP’s indoor galleries and the open air, FABRIC–ATION featured over 30 vibrant works from the period 2002–2013 including sculpture, film, photography, painting and collage, with many works never before seen in the UK. This major exhibition was sponsored by Guaranty Trust Bank. Born in London in 1962, Shonibare moved to Nigeria when he was three, later returning to the UK to study art. His work shrewdly explores and confounds stereotypes of race and class, engaging with ideas around identity and authenticity as well as dislocation, multiculturalism, global food production and revolution, often addressed through playful conceits. This approach is part of his determination to avoid being categorised: Shonibare accepted an MBE in 2004, adopting the title into his working name, saying, “it was the last thing you would have expected of me”. More about Yinka Shonibare: Yinka Shonibare CBE RA was born in London in 1962 and moved to Lagos, Nigeria at the age of three. He returned to the UK to study Fine Art at Byam Shaw School of Art, London and Goldsmiths College, London, where he received his Master’s in Fine Art. Over the past decades, Shonibare has become well known for his exploration of colonialism and post-colonialism within the contemporary context of globalization. Working in painting, sculpture, photography, film and installation, Shonibare’s work examines race, class and the construction of cultural identity through a sharp political commentary of the tangled interrelationship between Africa and Europe and their respective economic and political histories. Shonibare uses wry citations of Western art history and literature to question the validity of contemporary cultural and national identities. In 2002, Shonibare was commissioned by Okwui Enwezor to create one of his most recognised installations, Gallantry and Criminal Conversation for Documenta XI. In 2004, he was nominated for the Turner Prize and was awarded the decoration of Member of the ‘Most Excellent Order of the British Empire’, or MBE. In 2019 Shonibare was made Commander of the same order, amending his professional name to include CBE. In 2008, his mid-career survey commenced at Museum of Contemporary Art, Sydney and toured to the Brooklyn Museum, New York and the Museum of African Art at the Smithsonian Institute, Washington D.C. In 2010, his first public art commission Nelson’s Ship in a Bottle was displayed on the Fourth Plinth in Trafalgar Square, London. In 2013, Shonibare was elected as a Royal Academician and his most recent contributions have included: the RA Family Album, which was used to wrap Burlington Gardens building during construction and his two curated rooms which were part of the 2017 Royal Academy Summer Exhibition, during which Wind Sculpture VI was also displayed in the RA courtyard. His recent major commission with the Public Art Fund, Wind Sculpture (SG) I, was installed at Doris C. Freedman Plaza, Central Park from March 7 through October 14, 2018. FRONT International: Cleveland Triennial for Contemporary Art presented The American Library at the Cleveland Public Library from July 14 until September 30, 2018. The British Library was recently acquired by the Tate London. In March 2021, Shonibare received Whitechapel Gallery’s prestigious Art Icon award, becoming the eighth artist to receive the honor. He was also selected to coordinate the Royal Academy of Arts 253rd Summer Exhibition in September 2021. Shonibare’s works are included in notable collections internationally, including the Tate Collection, London; Victoria and Albert Museum, London; National Museum of African Art, Smithsonian Institution, Washington, D.C; Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Moderna Museet, Stockholm; National Gallery of Modern Art in Rome; Pérez Art Museum Miami in Florida and VandenBroek Foundation, The Netherlands. -Courtesy of James Cohan Gallery