Roger Jordan

Budding / Rose photographic wall sculpture book

2018

Geister or 'Ghost Ship' series from Nina Dietzel. Stunning on own, or paired with other images from the series. Surface mounted to polished plexiglass so that the photograph appears ...

Geister or 'Ghost Ship' series from Nina Dietzel. Stunning on own, or paired with other images from the series. Surface mounted to polished plexiglass so that the photograph appears ...

Climate change, traffic, construction cone dots a landscape of ice in this provocative museum matted Archival Pigment Print - photograph from Robert Von Sternberg who has lived and worked all his life in Los Angeles County, identifying human incursions into the natural world as a recurring theme at the heart of his photographic practice. Von Sternberg is drawn to capturing images of man intruding on nature more than any other and this is the visual thread that runs through the body of his work. Avid travelers, von Sternberg and his wife Patricia are especially fond of road trips, where the photographer delights in the offbeat side of the American touristic tradition. Far from focusing on the most canonical or scenic destinations, the artist seizes on the visual possibilities of overlooked roadside attractions and chance conjunctions. The surreal artificial lighting that illuminates the American nighttime often provides the "definitive photographic images - which sometimes also include the photographer himself. More often, though, von Sternberg captures scenes in which human figures are distant or absent. In this, his decisive moments are very unlike the densely populated ones pictured by Henri Cartier-Bresson. Still, Von Sternberg's roadside moments are crowded despite their ostensible vacancy. Through the roads, fences, signage, buildings, and all the other material structures of civilization, humanity marks the land; even in our bodily absence, we make our presence insistently known. Image captured digitally. Von Sternberg prints his own images on a 3880 Epson professional printer using archival Epson Ultrachrome pigment inks. Moab Juniper Baryta cotton rag paper stock, which is archival / 100 yrs. Papers are 13 x 19 inches. Outer dimension of the museum matting: 17 ½ x 23 ¼ inches. Robert Von Sternberg's photographs are collected worldwide and included in some of the world's most prestigious public and private institutions. 'Columbia Ice Field' is including in the permanent collections of the following Museums. Boca Raton Museum of Art, Boca Raton, Florida Norton Simon Museum, Pasadena, California Crocker Art Museum, Sacramento, California Princeton University Art Museum, Princeton, New Jersey Fred Jones Jr. Museum of Art, Norman, Oklahoma Fitchburg Art Museum, Fitchburg, Massachusetts Southeast Museum of Photography, Daytona Beach, Florida Mt. Holyoke College Art Museum, South Hadley, Massachusetts Laura Gallery, Lynchburg College, Lynchburg, Virginia Orlando Museum of Art, Orlando, Florida Wichita Art Museum, Wichita, Kansas Lismore Regional Gallery, Lismore, New South Wales, Australia University of Northern Iowa Art...

Seven ltd ed. archival pigment photographic prints that are each framed in museum quality contemporary ebonized walnut frames using all archival materials, depicting a single leaf. from Alysonm Belcher's Leaves series, where the artist photographs - in sill life - a single fallen leaf. Belcher is best known for her haunting and spartan still life compositions, series of nude self portraits, and nature scenes, that arise though both planning and happenstance, from primitive hand made pin-hole cameras, and hi tech digital cameras. She holds to the idea that everything we experience in life is stored somewhere in our bodies and that essence shows itself in the photograph. Condition is pristine. Alyson Belcher's photographs have been featured in International photography magazines, exhibited coast to coast...

Geister or 'Ghost Ship' series from Nina Dietzel. Stunning on own, or paired with other images from the series. Surface mounted to polished plexiglass so that the photograph appears ...

The artist photographed the 'Jaundice Bitters 'medicine bottle (from her personal collection of antique medicine bottles) in total darkness, a...

Doug and Mike Starn Sno6-016 (sno blanket), 2006-07 Archival inkjet print on Gampi paper with varnish and acrylic paint 32.5 x 25 inches (sheet) 40 x 32 inc...

Inspired by Victorian era taxidermy dioramas, 'Dark Flora' is a series of photographs using wild plants and flowers in a curated yet naturalistic arrangement. The plants are foraged ...

'Silver basket 1761, White Tulips, Blue Hyacinths' Limited edition (1 of 25) archival black and white photograph. Unframed. _________________ Sophia's po...

Even in deep mid winter there still stands, in sheltered places, the bleached skeletal remains of the summer past - delicate and intricate memories of the verdant life that just months before stood lush and green. * Inspired by Victorian era taxidermy dioramas...

Blue Whale - Signed limited edition archival pigment print, 2018 - Edition of 5 Sri Lanka One second in the blue…. This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted) : 70 x 100 cm / 27,55 x 39,37 in. - Edition of 5 100 x 150 cm / 39,37 x 59.05 in - Edition of 5 Olivier Borde...

Oscar - Signed limited edition archival pigment print, Edition of 5 Provenance : Ian Sanderson’s Estate This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Named Oscar the time to photograph it, this lobster returned to live in the sea... No animals were mistreated during the photoshoot. Signed + numbered by artist with certificate of authenticity, unframed Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Available sizes ( Image size , the white margin is not counted): 39 x 35 cm / 15,35" x 13,77" - Edition of 5 60 x 67 cm / 23,62" x 26,38" - Edition of 5 ( 4 available ) 102 x 91 cm / 40,15" x 35,82" - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Styles: Colour photography, 21st century, Archival print, Long room, kitchen decorative...