Nedko Solakov

Vitiligo People # 4, 2001 - Mixed Media by Nedko Solakov - 2001

2001

Musicians is an original drawing in mixed media on paper, realized in 1930 ca. by Willem van Hasselt (Dutch, 1882–1963). The state of preservation ...

Portrait is an original modern artwork realized by Marcello Muccini. Black and white marker drawing. Includes frame: 52 x 47 cm

Female Nude is an original Contemporary Artwork realized in Italy in the 1970s. Original Black Marking pen on paper. In excellent conditions: As good as new. Not signed. Excell...

Reclined Nude is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in Black Marker pen on paper. Good condit...

Crouched Nude is an artwork realized in the 1980s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original black marker on paper. Good conditions. Leo Guida (1992 -...

Bondage is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in Black Marker pen Watercolor on paper. Good c...

Glenn Ligon 30 Americans Rubell Family Collection (hand signed and dated by Glenn Ligon), 2012 Hardback monograph with no dust jacket as issued (hand signed and dated by Glenn Ligon) Hand signed and dated 2012 by Glenn Ligon 11 1/2 × 9 × 1 1/4 inches Provenance Hand signed by Glenn Ligon at the opening reception for the present owner (see included documentation) Makes a fantastic gift! This hardback monograph with illustrated boards was published on the occasion of the exhibition at Luhring Augustine Gallery in NY from October 26 to December 8, 2012. Hand signed and dated 2012 by Glenn Ligon for the present owner From its inception in the 1960s, the Rubell Collection has been able to boast a particularly fine range of African-American art. Recent New York exhibitions inspired the Rubell family to mount an exhibition of their holdings in this area, reproduced here in 30 Americans. With a late addition to this exhibition, there are in fact 31 artists: Nina Chanel Abney, John Bankston, Jean-Michel Basquiat, Mark Bradford, Iona Rozeal Brown, Nick Cave, Robert Colescott, Noah Davis, Leonard Drew, Renée Green, David Hammons, Barkley L. Hendricks, Rashid Johnson, Glenn Ligon, Kalup Linzy, Kerry James Marshall, Rodney McMillian, Wangechi Mutu, William Pope L., Gary Simmons, Xaviera Simmons, Lorna Simpson, Shinique Smith...

Marina Abramovic The Lovers, 1990 Original Drawing done in Black Marker on title page of the "Lovers" monograph Hand signed by Marina Abramovic in black mar...

Kehinde Wiley Alios Itzhak (The Worldstage: Israel), Hand Signed, 2011 100% Canadian maplewood skate deck. Hand signed by Kehinde Wiley 31 3/4 × 8 inches Boldly signed (by hand) in black marker by Kehinde Wiley on the image This long sold out skateboard, based upon Kehinde Wiley's painting, Alios Itzhak, was signed in black marker by the artist at The Jewish Museum on the occasion of his major exhibition "The World Stage: Israel", featuring portraits focusing on contemporary youth from Jewish-Ethiopian-Israeli...

Robert Longo Three Strikes, You're Out (Triptych), 1990 Silkscreen and Color Photograph (C-Print) on Aluminum and Lead Plates 9 4/5 × 23 3/5 inches Edition 120/200 Boldly signed and numbered in black marker from the edition of 200 on the verso; bears the artist's and publishers printed name & copyright Unframed Three Strikes You're Out was created in 1990 by Robert Longo exclusively for the mixed-media box-edition Contemporary Archeology, Pandora Part Three. The works were executed by jennifer Cox for Publishing House Bebert in an edition of 200, numbered and signed copies. This work is assembled as triptych and consists of two aluminium plates. Both aluminium plates show a color photograph of a cloud with silkscreened red X, the lead plate only showing the red X Total size is: 9.8 inches by 23.6 inches Individual Metal Plate Sizes: 9.8 x 9.1 in (2) / 9.8 x 5.1 (1) Unframed Boldly signed and numbered in black marker from the edition of 200 on the verso; bears the artist's printed name and copyright mark, along with the publisher - Publishing House Bebert, Rotterdam. Robert Longo Biography: Robert Longo was born in 1953 in Brooklyn and grew up in Long Island, New York. He graduated high school in 1970, weeks after the Ohio National Guard massacred several students at Kent State University who were protesting the U.S. invasion of Cambodia. One of those killed was a former classmate of Longo’s, and his body was shown in a Pulitzer Prize-winning photograph that was seen across the world. The event shocked Longo, triggering his interest in political activism and media imagery. In 1972, Longo received a grant to study restoration and art history in Florence. While touring the museums of Europe, he realized he wanted to make, rather than restore art. In 1973, Longo enrolled at Buffalo State College, where he worked for artists Paul Sharits and Hollis Frampton, who introduced him to structuralist filmmaking. Along with Charles Clough, Longo also co-founded Hallwalls (1974–ongoing), an alternative non-profit art exhibition space where he organized shows and talks with artists such as John Baldessari, Lynda Benglis, Robert Irwin, Joan Jonas, Bruce Nauman, and Richard Serra. At Buffalo State, Longo started a friendship–that still exists to this day–with Cindy Sherman, and in 1977 the two moved to New York together, where Longo began working as a studio assistant to Vito Acconci and Dennis Oppenheim. That year he was included in the exhibition Pictures at Artist’s Space, curated by Douglas Crimp, which showcased work by a group of five young artists who were engaged with the politics of image-making, drawing from advertisements, newspapers, film, and television. The “Pictures Generation,” as they became known, included artists such as Cindy Sherman, Richard Prince, Louise Lawler, David Salle, and drew from semiotics and poststructuralist theory to investigate the way meaning is made and circulated in modern society. Their work often critiqued the anaesthetizing power of consumer capitalism and the indoctrinating effects of mass media. At his first solo show at Metro Pictures in 1981, Longo presented his charcoal and graphite Men in the Cities drawings, which instantly became icons of the “Pictures Generation,” and some of the most recognizable artworks of the 1980s. Longo performed in New York rock clubs with the band Menthol Wars with Richard Prince, throughout the 1980s. During that period, he also designed numerous album covers, including Glenn Branca’s The Ascension (1981) and The Replacements’ Tim (1985). In 1986, he directed his first music video for New Order’s chart-topping song Bizarre Love Triangle, and the following year directed The One I Love, a video for R.E.M.’s first hit single. Longo began working with diverse materials at increasingly ambitious scales. His Combines series, first exhibited in 1983, incorporated materials such as paint, graphite, wood, plaster, cast bronze, and steel in works that were part-painting, part-sculptural reliefs. Using Sergei Eisenstein...

Christopher Wool Skate Deck, 2008 (Hand Signed and Dated 2017) Silkscreen on Maplewood (Hand Signed by Christopher Wool, with a dateline of New York, 2017) 31 × 8 × 3/10 inches Boldly signed and dated 2017 with the dateline "NYC" in black marker This skateboard was created in 2008 by Supreme, Inc. and is signed on the deck...

Part of the artist’s ongoing illustrations of Beaver Lake, ‘Beaver Lake with Stargazer Lilies II’ is an original mixed media giclée print on watercolor ...