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Oliver Samsinger
Christ Pantocrator, after a Russian icon of Andrei Rublev from the 14th century

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"Birth of Christ" after a Russian icon of the 15th century. Oliver Samsinger
Located in Segovia, ES
"Birth of Christ", after a Russian icon of the 15th century. Tempera and gold leaves on gesso, wooden board. Dimensions: (H) 68 x (W) 52 x (D) 4 cm. This icon sums up the events of the birth of Christ. At the top left the three wise men from the Orient approach on horses. ABOUT THE ARTIST Oliver...
Category

1990s Byzantine Mixed Media

Materials

Gold Leaf

Virgin of Kataphyge and St. John, after a Byzantine Bulgarian Icon 14th Century
Located in Segovia, ES
The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...
Category

Early 1900s Byzantine Figurative Paintings

Materials

Gold Leaf

The Virgin of Tijvin (after a Russian Icon in the style of the 18th century).
Located in Segovia, ES
The Virgin of Tijvin (after a Russian icon in the style of the 18th Century). Egg tempera and gold leaf on gesso over wood. Measurements in centimeters: 45 x 36.5 x 3 cm / In inch...
Category

1990s Byzantine Figurative Paintings

Materials

Gold Leaf

Christ Pantocrator" After an Icon in the style of the Moscow School
Located in Segovia, ES
"Christ Pantocrator". After an Icon in the style of the Moscow school (15th century). Somewhat similar to that of Rublev. Author: Oliver Samsinguer Egg tempera and gold leaf on gesso and on wood. Dimensions; (H) 42 x (W) 33.5 x (D) 3.5 cm. (H) 16.54 x (W) 13.19 x (D) 1.38 in. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24-carat gold . Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...
Category

1990s Byzantine Figurative Paintings

Materials

Gold Leaf

Icon of Our Lady of Jerusalem with oklad by Oliver Samsinger
Located in Segovia, ES
Icon of Our Lady of Jerusalem. Egg tempera on gesso and over a wooden board. Dimensions in centimeters: 42 x 34 x 2 cm / In inches: 16.54 x 13-39 x 0-79 " Author: Oliver Samsinger...
Category

1990s Byzantine Figurative Paintings

Materials

Brass

Christ, the Great High Priest. Greek-Italian style Icon with silver oklad
Located in Segovia, ES
Christ, the Great High Priest. Greek-Italian style Icon with silver filigreed oklad. Egg tempera, over gesso on wood with a silver cover, "oklad", with pol...
Category

1990s Byzantine Figurative Paintings

Materials

Silver

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