Patty Beaton

South Hill, Mixed Media on Canvas

2016

DESCRIPTION: New Light I is about changes and new beginnings in life. It is the bright light that suddenly sparkles and you know it is the message for something greater. Fluo yellow ...

In this mysterious series we explore the masks from cultures and civilizations from six continents dating back into ancient history. On a subtler note, we will also tap into the dark...

DESCRIPTION: New Light III is about changes and new beginnings in life. It is the bright light that suddenly sparkles and you know it is the message for something greater. Fluo yello...

Acrylic painting on canvas and gesso prepared for limited edition c-print limited edition prints (20) on Canson Infinity Rag, 100% cotton museum grade white Fine Art paper or simila...

a dual red to blue :: Mixed Media :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature ...

Pastel on heavy duty archival paper with architectural photographs mounted. Size given is image size. Comes in a traveling frame for shipping purposes - can be re-framed if desired. ...

XO is an abstract mixed media by Paddy Cohn completed in the fall of 2021. It is gallery wrapped so there is no need for a frame. Notice how the colors of red and white blend toget...

Altona 88 is an abstract acrylic, mixed media by Paddy Cohn completed in the fall of 2021. It is gallery wrapped so there is no need for a frame. Notice how the colors blend toget...

An large abstract mixed media painting by Louis De Mot Bunce (1907-1983). The painting is signed and dated 1969 lower right, with the title "Tablet". Condition is very good indeed, a rare and compelling artwork by one of Oregon's most acclaimed artists. Louis Bunce, a major painter and printmaker beginning in the 1930s, is considered a legend in Oregon modernism. Known for variations of Surrealism and Cubism in the 1930s and 1940s, nature-based adaptations of Abstract Expressionism in the 1950s and 1960s, and geometric compositions related to Minimalism in the 1970s, he created a body of work that resonates with international modern art. He influenced many artists in the Pacific Northwest, including those who studied with him at the Museum Art School (now Pacific Northwest College of Art), where he taught from 1946 until 1972. Louis Demott Bunce was born in Lander, Wyoming, and moved with his family to Portland in 1920. He studied at the Museum Art School in 1925-1926, befriending fellow student William Givler. Both enrolled at the Art Students League in New York, Bunce studying there during 1927-1931. In Oregon, Bunce participated in the Public Works of Art Project in Portland in 1934, and in 1936 assisted John Ballator in painting murals for the St. Johns Post Office. These were funded by the U.S. Treasury Department, which also commissioned Bunce to paint the mural of Native American life for the Grants Pass Post Office. During the period 1937-1939, he was a teacher and then associate director for the WPA Federal Art Center in Salem, where he collaborated with his students, including Clifford Gleason, in painting murals for Bush Elementary School. He met and married Eda Hult in Salem. In 1940, Bunce returned to New York and worked as a WPA muralist and easel painter until 1942. Living in New York for two extended periods and visiting almost annually for many years thereafter helped him establish links between the art communities in Portland and New York, where he knew Jackson Pollock, Willem de Kooning, Robert Motherwell, Franz Kline, and other key figures in American modernism. During World War II, Bunce worked as illustrator and tool designer for the Oregon Shipbuilding Corporation, and in 1946 William Givler, by then dean of the Museum Art School, hired him as a faculty member. In 1949, Bunce and his wife established the Kharouba Gallery, the first in Portland devoted to showcasing experimental avant-garde art by artists working in Portland and further afield. Bunce’s abstract mural for Portland International Airport created controversy in 1958, when the debate between “modern” and “traditional” artists was at its height in Oregon. Bunce’s figurative Surrealism and Cubism of the 1930s and 1940s gave way to more complete abstraction in his paintings, drawings, serigraphs, and lithographs of the 1950s and on, but references to landscape, human figures, or still life are nearly always present in understated ways. The Oregon coast, Columbia Gorge...

Abstract mixed media coastal landscape. Framed size: 16x20

She Can Dance is a mixed media, abstract figurative painting on heavy weight paper with deckled edges. Allison Meyler used bright, bold and muted colors...

Silent Cyclone is an abstract mixed media painting on canvas by Artist Annie Mandelkern. This painting is filled with warm colors which evoke a quiet serene feeling while the quick a...