Peter Wickenden

Untitled # 11

2016

Marc Baseman is a visual artist. Marc Baseman has had several gallery and museum exhibitions, including at The Harwood Museum of Art, University of New Mexico.He has been exhibiting with Dickinson Roundell and Edward Nahem in New York, and Nahem has helped him find an eager audience among collectors in London and Europe. Marc Baseman has Exhibited with these artists: Larry Bell, Lynda Benglis, Vija Celmins, Ronald Davis, Wes Mills, Lee Mullican...

Another very pretty collage work influenced by Rousseau from the studio of this talented Welsh artist. Image 16" x 16" Framed 22" x 22"

"Blind Folly" is a narrative and figurative mixed media work featuring hues of orange, yellow, black and green. Blair Hobbs is inspired by the works of M...

"Bass Fishing with Naiads" is a narrative and figurative mixed media work featuring hues of blue, yellow, red, black and green. Blair Hobbs is inspired b...

"Sisters #2", 2019 by Valerie Hammond 73 x 34.5 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels that are unframed, can be installed with magnets, but framing is recommended. In Valerie Hammond’s series of wax drawings, protection is two-fold: the artist (previously) encases dried flowers and ferns in a thin layer of wax, preserving their fragile tissues long after they’ve been plucked from the ground. In outlining a pair of hands, she also secures a memory, or rather, “the essence of a gesture and the fleeting moment in which it was made.” Centered on limbs lying flat on Japanese paper, the ongoing series dates back to the 1990s, when Hammond made the first tracing “partly in response to the death of a dear friend, whose beautiful hands I often found myself remembering.” She continued by working with family and friends, mainly women and children, to delineate their wrists, palms, and fingers. Today, the series features dozens of works that are comprised of either hands tethered to the dried botanics, which sprout outward in wispy tendrils, or others over layed with thread and glass beads. Although the delicate pieces began as a simple trace, Hammond shares that she soon began to overlay the original drawing with pressed florals, creating encaustic assemblages that “echoed the body’s bones, veins, and circulatory systems.” She continued to experiment with the series by introducing various techniques, including printmaking, Xerox transfers, and finally Photoshop inversions, that distorted the original rendering...

"Sisters #4", 2019 by Valerie Hammond 72 x 35 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels ...