Raquel Sanchez

Raquel Sanchez, Birds, 2020 museum quality print

2020

Binyamin Basteker Prayer at the Wall (Jerusalem) Hand embellished limited edition museum quality print on canvas edition of 36 editions available in ...

Raquel Sanchez Sunlight reflections Hand embellished limited edition museum quality print on canvas edition of 36 editions available in various sizes I...

Raquel Sanchez Ocean Cliff Hand embellished limited edition museum quality print on canvas edition of 36 editions available in various sizes Influenced...

Raquel Sanchez Splash Hand embellished limited edition museum quality print on canvas edition of 36 editions available in various sizes Influenced by t...

Mindy Weisel For song as full as the sea museum quality hand embellished print on canvas edition of 36 120 x 98 cm 47 x 38 in Mindy Weisel was born in ...

Mindy Weisel Of Silence , 2016 museum quality hand embellished print on canvas edition of 36 140 x 140 cm 55 x 55 in Painting was Exhibited Mindy Weis...

An artwork on paper by New York artist Miranda Maher. Giclee print on watercolor paper with Sumi Ink and Indian Marble Paper elements. Miranda Maher’s a...

An artwork on paper by New York artist Miranda Maher. Giclee print on watercolor paper with Sumi Ink and Indian Marble Paper elements. Miranda Maher’s a...

"Conversation" intertwines the raw, emotive qualities of charcoal with the fluidity of watercolor. The juxtaposition of the two mediums and dimentions creates a dynamic interplay of ...

David Barnett’s ‘Homage to Wassily Kandinsky after 1911 orig. Woodcut from the Klänge (Sounds) Series, title: Before Spring,’ is an original mixed media watercolor painting, signed by the artist in the lower right corner. Part of the artist’s ‘Famous Artist Series,’ Barnett stages a collaboration between himself and the Russian Abstract Expressionist Wassily Kandinsky by scanning the original woodblock print from Kandinsky's Klänge series and printing it as a giclée on watercolor paper. The composition sees a hatted figure with a staff as they journey through hills and canyons into the night; colors pass from the inside of the woodcut to the surrounding paper where they form a rotating cycle, perhaps indicative of the cycle of influence from Kandinsky to Barnett and back again. Mixed media giclée print & watercolor on paper 14 x 14 inches, artwork 19 x 18.75 inches, frame Signed and dated lower right Framed to conservation standards using archival materials including 100 percent rag matting, Museum Glass to protect from UV rays, and housed in a modern profile silver finish wood moulding David Barnett, an artist, collector, appraiser and gallerist has been passionate about art from the early age of five. David’s career as an art dealer began at age nineteen when, as a fine arts student, he sponsored an exhibition of work by fellow student artists. In 1966, he opened his first gallery in a converted basement apartment at Wisconsin Avenue and 21st Street. In 1985 David moved his gallery from Wisconsin Avenue into the Old Button Mansion on State Street and has been active ever since. David’s talents for recognizing undervalued artists and for meeting the needs of art lovers, art collectors and artists have created a vibrant, flourishing gallery and collection of over 6,000 works of art. David was born and raised in Wisconsin. He has been painting in watercolors, acrylics, oil pastels as well as fine art photography. David has more than 10 different series he has developed over the years. They include Abstract, Surrealism, Morph Dog, Up North Birch Bark, Impressions of Mexico City, Southwest, Fireworks, Famous Artist Paying Homage and Garden Panorama. Influential artists include Vermeer, Miro, Kandinsky, Chagall, Nolde and Klee. David has been featured in many magazines, newspapers and public television programs regarding his beautiful gallery, collection and knowledge and passion of fine art. David also has work in the permanent collection Scottsdale Museum of Contemporary Art, Arizona. Since its opening in 1966, The David Barnett Gallery has flourished to become Wisconsin's premier gallery and has the most diverse range of art available in any Wisconsin gallery, including works of art that represent more than 600 artists. The gallery also offers custom framing, art appraisals...

William Beier creates a visual universe fusing abstract and surreal elements to depict the complex but meaningful vibrations swirling within the subconscious mind. The energetic mov...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...