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Robert Helmer
"Duques Revisited" Large Mixed Media by Robert Helmer

1960

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    By Josep Cisquella
    Located in Long Island City, NY
    Artist: Josep Cisquella, Spanish (1955 - ) Title: Manhole Cover (Manhattan DPW) Year: 1991 Medium: Mixed Media on Canvas, signed on verso Size: 38.2...
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    1990s Conceptual Figurative Paintings

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    Mixed Media, Oil

  • Yoko Ono and John Lennon
    By Anton Solomoukha
    Located in Long Island City, NY
    Artist: Anton Solomoukha, Russian (1945 - ) Title: Yoko Ono and John Lennon Year: 1990 Medium: Oil and Collage on Canvas, signed and dated l.r. Size:...
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    1990s Conceptual Figurative Paintings

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  • Composition I
    By Ruperto Cabrera
    Located in Long Island City, NY
    Artist: Ruperto Cabrera (Spanish 1960 - ) Title: Composition I Year: 1999 Medium: Oil, Silkscreen, Zund UV Jet Print on Canvas, Signed verso Size: 32 x 39 in. (81.28 x 99.06 cm)
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    1990s Conceptual Abstract Paintings

    Materials

    Mixed Media, Oil

  • Paintbrushes III
    By Arman
    Located in Long Island City, NY
    Artist: Arman, French/American (1929 - 2005) Title: Paintbrushes III Year: 1991 Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed Edition: 2...
    Category

    1990s Conceptual Abstract Sculptures

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    Epoxy Resin, Oil

  • Fresco, Large painting by Peter Saari
    By Peter Saari
    Located in Long Island City, NY
    Peter Saari is an American artist who's work aims to re-invent antiquity through recreating ancient wall paintings and decoration. Provenance: Lamanga Gal...
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    1980s Conceptual Landscape Paintings

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    Plaster, Canvas, Oil

  • KN852, Space-scape painting by Andreas Nottebohm
    By Andreas Nottebohm
    Located in Long Island City, NY
    Andreas Nottebohm is a German painter known as a key innovator in metal painting. The painting measures 48 x 40 inches and is signed and dated verso. Provenance: Private Collection, NYC
    Category

    1980s Conceptual Abstract Paintings

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    Collage and Painted mixed media artwork painting. Born 1930 in Chile, Golomb immigrated to Palestine in 1935. He later became a member of the Radius Group and an instructor at the A...
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    1980s Conceptual Abstract Paintings

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  • Two Screenprinted pillow cases (one hand signed by Baldessari) in bespoke box
    By John Baldessari
    Located in New York, NY
    John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014 Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari) Boldly signed in ink by John Baldessari on one of the pillowcases (see photo) Unframed One of the pillowcases is hand signed in ink by John Baldessari: John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed. The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer. More about this boxed set: Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count. Measurements: Box 10.5 inches by 13 inches by 2 inches Pillow 20 inches vertical by 26 inches What was The Thing Quarterly? THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service. It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021. CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...
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  • It's the Thought that Counts famous limited edition MOMART UK fine art multiple
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    Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...
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    Early 2000s Conceptual Figurative Sculptures

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    By Mil Lubroth
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    This Contemporary female artist overlays stenciled figures using vibrant colors. Some of the figures are rendered with detail while others are left in abstraction. Mil Lubroth (1926-2004) was an American born artist who until her passing lived and worked in Madrid, Spain. Her colorful, semi-abstract paintings, which often combined Jewish, Arab and Christian symbolism, were described as “light and music, subtlety and suggestion, full of energy and joy” by Catherine Coleman, curator at the Reina Sofia Museum. Her annual open studio, held every November, was an important celebration of the Spanish art scene. A Fulbright scholar born Millie Schleifer, Mil Lubroth was influenced by the whimsical work of Paul Klee as well as by Robert Rauschenberg and Cy Twombly. She lived in Paris and then moved with her husband to Madrid where she raised her four children. The richly layered culture of Spain inspired her to weave together Jewish, Islamic and Western influences in her decorative and often mysterious work. She was the first North American Woman to exhibit at Madrid’s Cultural Center and her work also showed in Seville, Granada, Barcelona and New York. Education La Guardia High School of Art and Music, New York B.A., Southern Cal M.A. Kansas State Advanced Studies under Willem De Kooning and Josef Albers at Black Mountain College, North Carolina Collections Smithsonian, UNESCO New York. The White House, Washington DC. Museo de Arte Contemporáneo, Madrid y Castellón. Museo of Skopje. Macedonia. Yugoslavia. Johnson & Johnson, Madrid. Baker and McKenzie. Banco de España. Madrid. Radio RVE, Sydney, Australia. Comisión del Deporte en Bellas Artes. Madrid. Virginia Center for the Creative Arts. Corporate Art Collection Juffali Brothers, Jedda, Arabia Saudí Arab banking Corporation, New York. Hebrew Union College...
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