Roi James

Construct 03.23.19

2019

In all of James' work, he is intrigued by the ability of the individual to distinguish form when staring into the unrecognizable and, how, when confronted with mystery and uncertaint...

In all of James' work, he is intrigued by the ability of the individual to distinguish form when staring into the unrecognizable and, how, when confronted with mystery and uncertaint...

In all of James' work, he is intrigued by the ability of the individual to distinguish form when staring into the unrecognizable and, how, when confronted with mystery and uncertaint...

Chris Trueman has exhibited his work in numerous exhibitions in Los Angeles, San Francisco, Washington DC, Portland and internationally in Milan, Paris, Berlin, Beijing and Brisbane ...

Chris Trueman has exhibited his work in numerous exhibitions in Los Angeles, San Francisco, Washington DC, Portland and internationally in Milan, Paris, Berlin, Beijing and Brisbane (AUS). The Lancaster Museum of Art and History presented a solo exhibition of his paintings entitled, "Slipstream." His work was also included in the group exhibitions, “To Live and Paint in LA” and "The Subterraneans" at the Torrance Art Museum. His work has been exhibited at numerous art fairs including: Dallas Art Fair, Pulse New York, Art Aspen, TX Contemporary, Pulse Miami and ArtMRKT San Francisco. Trueman graduated from the San Francisco Art Institute in 2003, earning dual BFA degrees in Painting and Digital Media. He relocated to southern California to attend Claremont Graduate University, earning a MFA in 2010. Trueman currently teaches at Chaffey College and has previously taught at Chapman University, Fullerton College and Santa Ana College. He has guest lectured at Chapman University, Pomona College...

Chris Trueman has exhibited his work in numerous exhibitions in Los Angeles, San Francisco, Washington DC, Portland and internationally in Milan, Paris, Berlin, Beijing and Brisbane (AUS). The Lancaster Museum of Art and History presented a solo exhibition of his paintings entitled, "Slipstream." His work was also included in the group exhibitions, “To Live and Paint in LA” and "The Subterraneans" at the Torrance Art Museum. His work has been exhibited at numerous art fairs including: Dallas Art Fair, Pulse New York, Art Aspen, TX Contemporary, Pulse Miami and ArtMRKT San Francisco. Trueman graduated from the San Francisco Art Institute in 2003, earning dual BFA degrees in Painting and Digital Media. He relocated to southern California to attend Claremont Graduate University, earning a MFA in 2010. Trueman currently teaches at Chaffey College and has previously taught at Chapman University, Fullerton College and Santa Ana College. He has guest lectured at Chapman University, Pomona College...

Rebecca Klundt's original artworks are inspired by nature its finite resources. Renewal, order, and lines drive her creative impulses. This 20 inch square original mixed media artwo...

Pyre VII 2017 India ink and acrylic paint on charred birch plywood 32" x 24" x 1.25" Pyre VII is part of a series of charred panels Watson completed in 2017 at the Arts, Letters and Numbers Residency in Averill Park, NY. The pieces incorporate local materials, rice, and fire to create charred photographic images on plywood that explore themes related to being, substance and imperceptibility. The imagery references the practice of cremation on a funerary pyre in which the corpse is prepared and burned over a construction of combustible materials. Within the work, rather than destroying the body, the fire produces an afterimage that remains indefinitely. Each day Watson would scavenge the site collecting natural objects, such as sticks, small rocks, and other detritus. He laid these objects on the surface of the plywood with raw rice. The surface was then charred using a propane torch. After the objects and rice were removed an image of them remained, like a photogram. In some panels, He incorporated a homemade black rice ink or various paints to tint the surface before and after burning. Rice is a recurring theme in Watson’s work. It alludes to an uncontained body in the process of decay, returning to the earth to become a source of sustenance for new life. It also imagines the soul extending beyond its fleshly container. The act of burning attempts to capture the space between life, death, and rebirth— freezing it in a state of transformation. The sticks, stones, and rice become remnants of life and markers of space and time. They are more than mere grains and detritus. They become the body as a trace of what was and a reflection of what will be. Michael Watson...

Illusion I. Wood based painting is stained and painted with acrylic. Separate LED box light. 24H x 24Wx 3D This series of artwork evokes a novel effect. Light becomes intertwined in...

Rebecca Klundt's original artworks are inspired by nature its finite resources. Renewal, order, and lines drive her creative impulses. This 16 inch square original mixed media artwo...

This 20 inch tall by 15 inch wide original mixed media artwork by Rebecca Klundt is a assemblage of found wood, finished with layers of acrylic paint, resulting in a geometric abstra...

Rebecca Klundt's original artworks are inspired by nature its finite resources. Renewal, order, and lines drive her creative impulses. This 26 inch high by 32 inch wide original mix...