Debra Smith

Physical Shift I

2008

While her work ranges in scale from dainty diminutive pedestal objects to large sprawling installations, there is a common thread that runs through these seemingly disparate bodies o...

Keith Young Pow! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 12.25x11.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1134 -------------------...

Keith Young For Big Mistakes Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 16x16x3in Signed by hand COA provided Ready to hang Ref.: 924802-1135 ------------...

Keith Young I'm an Achiever! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1136 ----------...

Jill Opelka Turtles Oil on Canvas Year: 2023 Size: 40x30in Framed: 41x30x1.5in Signed by hand COA provided Ref.: 924802-2051 Tags: Turtles, Teal, Blue, Brown, Deep, Vibrant *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt...

Jill Opelka Cypress Oil on Canvas Year: 2023 Size: 36x48 Framed: 37x49x2.5in Signed by hand COA provided Ref.: 924802-2051 Tags: Landscape, Pebble Beach, California, Golf Course, Monterey Peninsula, Iconic, Bunker, Green, Fairway *Framed in a black wooden frame ----------------- About the Painting: In the realm of golf, Cypress Point stands as an unparalleled gem. Crafted in 1928 by the esteemed designer Alister Mackenzie, this masterpiece remains a timeless testament to his genius. Continuously hailed among the top 3 golf courses worldwide by leading publications, its allure is undeniable. What sets Mackenzie's work apart is his adeptness in harmonizing with nature, allowing Cypress Point to unfold organically, preserving its unmatched natural beauty and integrity. About the Artist: Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt on her sofa, crafted from old jeans – a testament to her work and creativity. Descending to her lower-level gallery, her larger original pieces, each with personal anecdotes, take center stage. From a nostalgic converse painting symbolizing childhood choices to a rescued roadside goat immortalized on canvas, her stories are as captivating as her art. Jill Opelka's creations, drawing inspiration from her life's moments, offer a personal touch that adds warmth to any home. From customized shoe and teacup paintings...

Handwoven stretched lampas panel, made on a 32 shaft Leclerc Weavebird loom medium: Cotton and silk, stretched and framed in painted wood

Handwoven stretched lampas panel, made on a 32 shaft Leclerc Weavebird loom medium: Cotton and silk, stretched and framed in painted wood

Debra Smith's fabric collages are like snippets of contemporary quilts. She recycles fabrics, such as the silk linings of antique Japanese kimonos used to make much of her current body of work. The silks are different shades of neutral and lend a quiet, contemplative mood to much of Debra's work. In some collages, Debra uses vibrant vintage fabric to contrast with the understated feel of the silk. Since 1999, Debra's work has been shown in numerous exhibition spaces, such as Dolphin Gallery and Pearl Gallery in Kansas City and the Pencil Factory in Brooklyn, New York. In addition to making artwork, Debra owns Sakiori, a textile company based in Kansas City, which she established in 1993. She formerly worked for Asiatica, an internationally recognized clothing and accessory business, which specializes in the reconstruction of antique kimono...

Debra Smith's fabric collages are like snippets of contemporary quilts. She recycles fabrics, such as the silk linings of antique Japanese kimonos used...

Debra Smith's fabric collages are like snippets of contemporary quilts. She recycles fabrics, such as the silk linings of antique Japanese kimonos used...

Debra Smith's fabric collages are like snippets of contemporary quilts. She recycles fabrics, such as the silk linings of antique Japanese kimonos used to make much of her current body of work. The silks are different shades of neutral and lend a quiet, contemplative mood to much of Debra's work. In some collages, Debra uses vibrant vintage fabric to contrast with the understated feel of the silk. Since 1999, Debra's work has been shown in numerous exhibition spaces, such as Dolphin Gallery and Pearl Gallery in Kansas City and the Pencil Factory in Brooklyn, New York. In addition to making artwork, Debra owns Sakiori, a textile company based in Kansas City, which she established in 1993. She formerly worked for Asiatica, an internationally recognized clothing and accessory business, which specializes in the reconstruction of antique kimono...