Silvio Merlino

Pensa Una Nuvola Di Pioggia

1989

watercolor and Ink painting of intertwined tubular forms on paper

abstract watercolor and ink painting on archival paper depicting intertwined tubular forms. varnished.

abstract watercolor and ink painting of intertwined tubular forms on archival paper

abstract watercolor and ink painting of intertwined tubular forms on archival paper, varnished.

abstract watercolor and ink painting of intertwined tubular forms on archival paper

abstract watercolor and ink painting of intertwined tubular forms on archival paper, varnished.

Aquatint and watercolor collage by Jenny Toth, mixed media artist, professor, graduate of Yale School of Art

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years ...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

Picturesque Botany (Tondo/Rose, Cornflower, Queen Anne’s Lace, Moonflower, Delphinium, Vines, etc.) Botanical cyanotype painting of various flora and fauna by Julia Whitney Barnes Im...

Realistic still life painting of pastel colored flowers on dark blue Hand-painted cyanotype by Julia Whitney Barnes "Nocturnal Nature (Anemone, Passionflower, Buttercup, Ferns, Polli...