Mariana Depetris

Mixed Media and Quilt of Prints -- Tejo

2001

This black and white linocut offers a view of several people paddling in kayaks through the fjords of Aialik Glacier, part of the Kenai Fjords National Park in Alaska. The print give...

This limited edition linocut print in black and white presents a little league game, probably with a larger and more diverse audience than in real life. ...

This linocut printed on paper presents a museum guard observing a large sculpture of a woman, in this case, a version of a Maillol sculpture. The versio...

This work combines relief printmaking, inkjet and encaustic on lauan panel in pastels. The artist is interested in the themes of childhood and play. In this edition-of-one piece, a child a wistful child in muted tones is featured on the right, while the letter "r" holds the center. This piece is very appropriate for a child's room. The artist's signature is on the back. Mariana Depetris is an artist who focuses on printmaking techniques, many of which she learned from master printmakers in her native Argentina and Italy, as well as from an MFA from the Georgia Southern...

This artist's print work relies mostly on serigraphy and collage for its impact. Images of children at play rest on a background of red with grey text and green bees and insects. The piece is sold in a boxed frame with glass. The artist's signature and emblem are clearly visible. As priced, this work represents a fantastic value. Mariana Depetris is an artist who focuses on printmaking techniques, many of which she learned from master printmakers in her native Argentina and Italy, as well as from an MFA from the Georgia Southern...

This print uses relief printmaking, inkjet and encaustic on lauan panel. The double figure of a childiis presented with multicolored balloons--yellow, orange, and blue-- held by strings in the center of the pictorial space. The effect is that derived from child's play. This piece is unframed. Mariana Depetris is an artist who focuses on printmaking techniques, many of which she learned from master printmakers in her native Argentina and Italy, as well as from an MFA from the Georgia Southern...

The artwork will be sent unframed Unique 1/1 Artwork are signed by artist. Linocut, intaglio, colography and chine collé print technique from 3 matrices Unique 1/1 Size 26,4x18,3...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the...

It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the...

It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the...

It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the s...