Stacey Lee Webber

The Costume Party: Sejeng the Great

2020

Stacey Lee Webber The Costume Party; Hideyo Dracula 11.5" x 9" x 1.75" Framed Hand stitched Japanese 1,000 yen 2020

Stacey Lee Webber The Costume Party: Tesla Frankenstein 11.5" x 9" x 1.75" Hand stitched Serbian paper money, painted wood backing, acrylic face 2020

Stacey Lee Webber We The People: Jackson Cops & Robbers 27” x 18.5” Framed hand stitched paper currency 2022

Stacey Lee Webber Rainbow Costumes: Green Hamilton 15.75” x 11.5” handstitched cotton thread, uncut 1x4 US ten dollar bills, framed, glass face 2022

Stacey Lee Webber Rainbow Costumes: Orange Jackson 15.75” x 11.5” handstitched cotton thread, uncut 1x4 US twenty dollar bills, framed, glass face 2022

Stacey Lee Webber Purple Fire 7.25” x 3.75” acrylic case size hand stitched US twenty dollar bill 2023

Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and partic...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Butterfly with Mended Wing is a study of the human condition and the work we all do in our own lives to belong more fully to ourselves. The red stitch on the wing is symbolic of our ...

Butterfly with Mended Wing is a study of the human condition and the work we all do in our own lives to belong more fully to ourselves. The red stitch on the wing is symbolic of our ...

Chasing the Fog :: Learning how to Breathe is an exploration of personal identity specific to love, loss, and what lives in between them. This project investigates the unspoken dialogue, the “subtext” that’s always happening while moving through the multifaceted experience of relationship...

This drawing, painting, and fibers work titled "Party Ball" is an original mixed media artwork by Kelly Kozma made of hand-embroidery, color pencil, and acrylic paint on paper. The a...