Stefania Nazzal

Stargazing

2023

Stefania Nazzal Illusion (Light), 2023 Signed by the artist Spray paint, PVC strings mounted on wood with diamond dust Framed 54 x 24.5 inches each Available individually or as a set...

Stefania Nazzal Dreamscape, 2023 Signed by the artist Spray paint, PVC strings mounted on wood with diamond dust 59 x 24.5 inches each Available individually or as a set Each piece ...

Stefania Nazzal What If Everything Was Real, 2023 Signed by the artist Spray paint, PVC strings mounted on wood with diamond dust with LED 57 x 48 inches This piece is unique. This...

Stefania Nazzal Sometimes Forever Is Just A Second, 2023 Signed by the artist Spray paint, PVC strings mounted on wood with diamond dust with LED 57 x 48 inches This piece is unique....

Stefania Nazzal Mist Fragment (In the Air Series), 2022 16 inches Fiberglass, spray paint, and diamond dust This piece is unique Signed by the artist Currently on display at Art Ang...

Stefania Nazzal Module 2 (In the Air Series), 2022 Base: 18.5 x 18.5 inches Top: 12 x 12 inches Ball Fragment: 4 x 4 inches Fiberglass, spray paint, and diamond dust This piece is u...

Steve Sangapore’s “Contenta Absentis” is a 24 x 18 x 1 inch oil and 24k gold leaf painting mounted on a reflective mirror. The painting is housed in an ornate gold wood frame measuri...

Kerry Smith Germs - GI Mixed Media on PVC Year: 2022 Size: 25x23in Signed, dated by hand COA provided Ref.: 924802-1614 ------------------------------------- "Off The Record" is a ...

Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contemporary artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...

In POSSIBLE, IMPOSSIBLE, POSSIBLE, Peña combines representational elements of a bright green landscape in the background with a more abstracted silhouette of a house in the middle gr...

In BOOM BUST REPEAT17, Peña creates a silhouette of house and fills it with sharpe-edged shapes that contain gradients and saturated hues of red, green, and violet. He balances these colors with muted tones of orange and yellow . The viewer can create a house that is yet to be built in between the gaps here. In "Boom, Bust, Repeat", Peña remarks on a house and landscape that has yet to take place. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small circular lines that have been hand drawn with India ink. The Sintra board has been cut to reveal arrows in the negative space pointing upwards as to hint at a boom in the market. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...

Dominic Beattie Ersatz Ceramic I Ink, spray paint, cardboard, wood H 30 x W 5 x D 5 cm (variable)