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Stephen Graham
Stephen Graham, Just Let It Go

2017

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  • Rock Lollipop
    By Max Patté
    Located in Miami, FL
    Max Patté Rock Lollipop Infinity wall sculpture Piece unique Diameter 63.7 inches x 3.5 inches Automotive paints, acrylic paints, clear cast acrylic, ep...
    Category

    2010s Abstract Sculptures

    Materials

    Acrylic, Board, Mirror, Epoxy Resin, Coating, LED Light, Automotive Paint

    Rock Lollipop
    Price Upon Request
  • Dr. Seuss, Secrets of the Deep Deluxe Book
    By Dr. Seuss (Theodore Geisel)
    Located in Miami, FL
    Secrets of the Deep: The Lost, Forgotten, and Hidden Works of Theodor Seuss Geisel Deluxe book with cloth-bound hardcover and a slipcase presentation Features more than 300 artworks ...
    Category

    1990s More Art

  • Great Hammerhead
    By Christopher Schulz
    Located in Miami, FL
    Christopher Schulz Great Hammerhead Marine-grade stainless steel Edition of 38
    Category

    2010s Figurative Sculptures

    Materials

    Stainless Steel

  • Constant Change 68 by Anna Kruhelska - Wood Wall Sculpture
    Located in Miami, FL
    Anna Kruhelska Painted wood panels Wall sculpture ready to hang
    Category

    2010s Abstract Sculptures

    Materials

    Wood Panel

  • Untitled 218 by Anna Kruhelska - Paper wall sculpture
    Located in Miami, FL
    Anna Kruhelska Untitled 218 Hand-folded, light-resistant and acid-free archival paper Unique wall sculpture framed and ready to hang
    Category

    2010s Abstract Sculptures

    Materials

    Archival Paper

  • Constant Change 72 by Anna Kruhelska - Wood Wall Sculpture
    Located in Miami, FL
    Anna Kruhelska Constant Change 72 Painted wood panels Unique wall sculpture
    Category

    2010s Abstract Sculptures

    Materials

    Wood Panel

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  • Every Building on the Sunset Strip, 1st Edition, Signed & inscribed w/provenance
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    “I don’t have any Seine River like Monet, I’ve just got US 66 between Oklahoma and Los Angeles.” — Ed Ruscha An example of this rare Artist Book was exhibited prominently at the Museum of Modern Art in New York for the 2023-4 Ed Ruscha retrospective. Keep scrolling right of header image to see installation photographs of that exhibit to show how MoMA displayed this accordion style book with slipcase. (the last images) This is the 1966 true 1st Edition of Ed Ruscha's groundbreaking self-published artist book "Every Building on Sunset Strip." The book itself was published in an unsigned edition of 1000. However, in 1980, exceptionally, Ruscha hand signed and beautifully inscribed this book in red ink to football legend Joe Fields. (Joseph Charles Fields Jr. is an American former professional football player who was a center and guard in the National Football League for the New York Jets and the New York Giants.) This book is also in the original slipcase. Dimensions slip case: 7 5/16 x 5 13/16 x 9/16" (18.5 x 14.7 x 1.5 cm) This historic limited edition Artists Book is in the permanent collection of the Getty Museum in California which explains its importance as follows: In the 1960s, Ed Ruscha more or less reinvented the artist’s book. By turning away from the craftsmanship and luxury status that typified the livre d’artiste in favor of the artistic idea or concept, expressed simply through photographs and text, Ruscha opened the genre to the possibilities of mass-production and distribution. The 25-foot length of the accordion-folded Every Building on the Sunset Strip affords the viewer two continuous photographic views of the mile and a half section of this landmark stretch of Sunset, one for each side of one of the city’s landmark thoroughfare. Among many other institutions, it also in the permanent collection of MOMA, which describes "Every Building on the Sunset Strip" thus: Ruscha's photography books are antithetical to the traditional limited-edition livre d'artiste, or artist's book. Their banal subject matter and documentary style are indebted to the remarkable pictures of signs and vernacular architecture that American photographer Walker Evans made in the 1930s, but their deadpan, cool aesthetic is radically different. While each book chronicles an aspect of Los Angeles or the artist's round-trip drives between LA and Oklahoma, their use of photography as a form of map-making or topographical study signals a conceptual, rather than documentary, thrust. Edward Ruscha: Editions 1959-1999, Catalogue Raisonné, Engberg, vol. 1, ppg. 84-85 and vol. 2, pg. 124, no. B4 Publisher: Dick de Ruscha...
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  • Monograph with 3-D sculptural pop-up (Hand signed and numbered by Red Grooms)
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