Dada Mixed Media

Vintage Abstract Mono Print by Elizabeth Cleveland C.2012 Gorgeous vintage mono print Pencil signed lower right Print dimensions 24" wide x 35.5" high ...

"Insignia #2" Abstract Mixed Media on Handmade Paper Tactile Abstract on handmade paper by David Dodsworth (English, b. 1952) - David’s work is typifi...

PROPOSITION is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is a framed monotype in white matte wood with spacers under glass to maintain the de...

Sunil Das - Old Horse 11 x 9 inches (unframed size) 18 x 16 ( Expected framed size) Pastel on Sand Paper Circa, 1958 ( Delivered framed ) A very old unique and rare work by the M...

Geometric limited edition etching, hand painted abstract of an orange and blue figure inside of a circle by Pierre Brisson (French, b, 1955). Signed "Brisson" lower right and "720/75...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

"Native to Brazil", by Anne Sargent Walker, is a deliciously yellow green oil, acrylic and collage painting on stretched canvas depicting tropical flora of vines and flowers surround...

CYCLOPS is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is a framed monotype in black matte wood with spacers under glass to maintain the deckle edge of paper. The print floats on museum board using archival Hayaku Japanese Hinging Paper. Like Wortsman's sculptures, the abstract components here seem to possess both organic and geometric forms. Note the four corners of black, bracing the center serpentine shape of copper and black speckled white – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the indigenous art of Africa, the Middle East, India and Asia, his forms are organic and geometric abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. CYCLOPS was exhibited at Harold Wortsman...

Stfk097, 1997 His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, London, London Art Fair, The Other Art Fair, London, an...

’Pisces’ Please note. This is not a mono print but 1st Dibs have option for Relief print. Which is what this is... By Yutaka Takayanagi. Medium - Relief print Edition - AP Signed - Yes Size - 510mm x 660mm Date - 1973 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

"Cow 2" is a framed oil and acrylic work on canvas by Joshua Brown, depicting a cow's head and front looking directly at the viewer. This playful painting...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...