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SOULIE, Abstract mixed media painting on canvas

1970s

Oil on canvas by Roger Charles Halbique (1900-1977), France, 1950s. Still Life With Roses. With frame: 85x98 cm - without frame: 60x73cm. 20F format. Signed lower left "R. Halbique"....

Oil on canvas by Vicente CRISTELLYS (1898-1970), School of Paris, late 1950s. "Lolo", portrait of Gina Lollobrigida in Notre-Dame de Paris (film). Arriving in Paris during the 1920s,...

Oil on canvas by Michel Jouenne, France, Early 1960s. Village of France. Measurements : with frame : 38.7x28 inches - 98.3x71 cm, without frame : 36.3x25.6 inches - 92.2x65 cm, Forma...

Oil on canvas by Jallais, France, 1960s. Boats in port. In its pretty dark brown wooden frame. With frame: 68x58 cm - 26.8x22.8 inches, without frame: 61x50 cm - 24x19.7 inches. 12F ...

Oil on canvas by Paul Collomb (1921-2010), France, 1960s. The beautiful view. Measurements : with frame: 54.5x41.2 cm - 21.5x16.2 inches, without frame: 46x33 cm - 18.1x13 inches, fo...

Oil on canvas by VILLERS, France, 1972. Pride. With frame : 84.5 x 65 x 5 cm - 33.3 x 25.6 x 2 in. , without frame : 80 x 60 x 2 cm - 31.5 x 23.6 x 0.8 in. Signed and dated lower ...

Mindy Weisel For song as full as the sea museum quality hand embellished print on canvas edition of 36 120 x 98 cm 47 x 38 in Mindy Weisel was born in ...

Artist: Jeanne Gentry Keck Title: Accidental Freedom IX Size: 9 x 7 Inches Medium: Mixed Media on canvas Year: 2021

Artist: Jeanne Gentry Keck Title: Accidental Freedom XII Size: 8 x 5 Inches Medium: Mixed Media on canvas Year: 2021

Artist: Jeanne Gentry Keck Title: Accidental Freedom VI Size: 12 x 12 Inches Medium: Mixed Media on canvas Year: 2020

Ides Kihlen (b. 1917) completed this work in 2021 at the age of 104. She is known for her collage work and distinct color palette exhibited in this piece. "Sin Titulo (A) (VCH059)" i...

Arao’s geometric sewn fabric paintings reference woven textiles and ethnic patterns from the Philippines, reinterpreted in kaleidoscopic fabric compositions. Fabric, a material that seemingly begs for human touch, is something we all have a level of familiarity with. Whether it is clothing worn or removed from the body, commercially bought, hand dyed, or recycled weathered canvas, Arao harnesses the tactility and multiple interpretations of fabric, often alluding to its central relationship to the human body. Precisely sewn together into tapestry-like wall works, Arao’s background in painting is evident in his mastery of color and composition. Paired with his conceptual link to his identity as a gay Filipino-American, Arao’s works simultaneously reach back through history and into the future as powerful symbols of representation and beauty. Gathered from disparate sources, carrying the psychic or physical traces of the hands that manufactured or the bodies that wore the textiles used in his fabric paintings, there is a legacy of nuance woven into the fibers of each work. Written into each color choice, use of various types of fabric, and overall composition, is a steadfast trust in process and faith in intuition. Regarding this body of work, Arao states, “ In my sewn paintings, the stability of geometric forms is disrupted through the use of altered patterns and asymmetry, creating a space that’s dynamic and shifting – much like the concept of queerness itself.” Flexible, open-ended, and bounding with vibrant color, Paolo Arao...