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Copy n. 30/1150, on Hollande paper, with b/w lithographies and suite on BFK Rives paper. Superb copy in perfect conditions. Including the complete suite by Gus Bofa.

Edition of 507 copies including 66 illustrations by Carlègle, colored "au pochoir". Extremely rare and precious copy on Japon Imperial (one of 37 of the commercial edition), includin...

Petite rousseur sur la couverture souple éditoriale originale. Langue: français. Excellentes conditions.André Breton, né en 1896 et mort en 1966, était un écrivain et poète français....

Rues et Visages de Paris (Streets and Faces of Paris) is a rare book whose purpose is to introduce the city of Paris in the first page of 20th Century, written by Valery Larbaud and ...

Edition of 395 including 17 original coloured etchings by Jean Bruller. Copy on velin de Rives. Very good conditions.

Copy on velin paper including original etchings in the definitive state by Jean Emile Laboreur. Copy in perfect conditions and partially uncut. 

Edition of 215 copies including b/w reproductions of artworks by Charles Pequin and a portrait of the artist by G. Aubert. Copy on papier pur fil. Copy in good conditions. Partially...

Edition of 793 copies. Copy on Velin Navarre paper. Includes a portrait of the author by Raoul Dufy, engraved by G. Aubert. Language: french. Binding and cover lightly worn. Partiall...

Edition of 230 copies. Copy on Pur Fil Lafuma paper. Includes the "Cahier de la Rédaction" titled "Feuilleuts" and "Jacques Rivière". Language: french. Original soft cover. Very good...

Text and illustrations by Gus Bofa. Plates and spine partially missing and restored. Inside excellent conditions and partially uncut.

Edition of 1000 copies. One of the only 50 copies on Japon Imperial paper, including a suite of 15 woodcut prints on China paper. Includes also original black and white and colored w...

Edition of 2108 copies. Copy on Velin Alfa Lafuma paper. Original paperback cover. Binding partially unglued. Very good conditions. Uncut.

Edition n.10 of 693 copies. Copy on velin navarre including portrait of the author by Alberto Savinio and engraved on wood by G. Aubert. Partially uncut, very good conditions.

Author of the book is Guillaume Apollinaire. Edition of 100 copies including 6 drypoints (a full page engraving on frontispiece and 5 engravings in text). Copy on Vergé de Rives à la...

Translated in french by Maurice Betz, from the original "Prosafragmente" by Rainer Maria Rilke. Edition of 675 copies. Copy on Outhenin-Chalandre paper. Spine lightly worn, perfect c...

Edition of 1003 copies. One of the 109 copies realised for the "Bibliophiles de la Nouvelle Revue Française" in Roman Numerals. Copy printed for the Countess Pecci Blunt.Spine partia...

Edition of 137 copies including 12 original lithographs.Copy on Rives B.F.K., with lithographs on vélin d'Arches. Original soft cover, includes slipcase. Slipcase with some stains in...

Edition of 2300 copies. One of only 70 copies on Pur Fil Lafuma paper. Language: french. Little foxing on cover, copy with beards. Perfect conditions inside.

Edition of 2330 copies. Copy on vergé bouffant paper. Original paperback cover representing the Muses, illustrated by Chas Laborde. Excellent conditions and uncut.

Edition of 990 copies. Copy on vergé d'Arches, soft editorial cover with some very minor stains. Inside near perfect conditions. Edition tirée à 990 exemplaires. Imprimé sur papier ...

Edition of 215 copies on pur fil Lafuma paper. Includes a portrait of the artist on china paper, engraved and signed by G. Aubert. Includes also reproduction of the artist's works on...

Edition of 317 copies including engravings by Chas Laborde. Copy on Vergé de Rives. Perfect Conditions. Partially Uncut.

Edition of 1345 copies. Copy on velin Lafuma. Edition including original etchings by Chas Laborde. Perfect conditions, uncut. 

Edition of 348 copies including 22 lithographs by Yves Alix of which 9 full page. One of 300 copies on vélin pur fil Lafuma-Navarre. Nice volume on parisian Court (judges, attorney...

One of 75 copies on Hollande Van Gelder. Including 8 original etchings by Maurice Asselin. Copy in perfect conditions and partially uncut.

Fernando Botero Original drawing of a woman, 1997 Ink on paper drawing on paper held on first front end page of "Botero" - hardback monograph with dust jacket The unique, original dr...

Her Majesty The Muse I remember the words our teacher said “Do not wait for a sudden inspiration, for a visit from the Muse. You should begin working, otherwise the Muse will pass b...

Birth of Venus. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós e...

Philip Guston Monograph: Philip Guston (Hand signed and inscribed to major collector by Philip Guston), 1980 Softback monograph (hand signed, inscribed and dated by Philip Guston to Mary Keesling) Warmly signed and inscribed by Philip Guston to Mary Keesling on the title page 10 1/4 × 9 × 3/4 inches If you're reading this description, then we hardly need to tell you, dear collector and Guston enthusiast, that autographed books...

SALE ONE WEEK ONLY “Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...

Frank Stella; An Illustrated Biography (Hand signed and dated by Frank Stella), 1995 Hardback monograph (hand signed and inscribed on the title page) Hand signed and dated by Frank Stella on the title page 12 1/4 × 9 1/2 × 1 inches Unframed This lavish First Edition 1995 hardback monograph is hand signed and dated by Frank Stella on the title page. Makes an excellent gift. Publisher's Blurb: A friend and colleague of Frank Stella's for forty years, Sidney Guberman presents a unique view of this seminal figure of contemporary American art...

Introducing "Monochromatic Musicians - In Deep Blue" by the renowned artist Koko Hovaguimian. This captivating oil painting transports the viewer into a world of evocative artistry, ...

Sam Francis Suite of Four Limited Edition Ceramic Plates, ca. 2000 Set of four (4) limited edition ceramic plates in original museum box Edition of 2000 7 × 7 inches Unframed Note: M...

Frank Stella Vortex Engravings #5 - 8: Gift Box of Four Limited Edition Plates with COA hand signed by Frank Stella and David Mirvish, 2000 Suite of four (4) Fine Bone China Plates. ...

Les Chants de Maldoror is an original modern rare book written by Comte de Lautréamont, pseudonym of Isidore Lucien Ducasse (Montevideo, 1846 — Paris, 1870) and illustrated by René ...

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents. After briefly living in Marseille, France, Naples, Italy Tunis, Malta, and Constantinople, Turkey his family settled in Brooklyn, New York, in 1921.His family settled in Brooklyn, New York. He became a US citizen in 1928. Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber Arp, and other artists. He also attended the City College of New York. Lassaw’s encounter with avant-garde art in the International Exhibition of Modern Art (1926), organized by the Société Anonyme at the Brooklyn Museum, made a powerful impression on him. In the early 1930s he explored new materials and notions of open-space sculpture. The ideas of László Moholy-Nagy and Buckminster Fuller were important to him, and he knew the work of Julio González, Pablo Picasso, and the Russian Constructivists. After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. His work reflects the influence of Surrealist artists such as Alberto Giacometti and Joan Miro as well as American Modernist Alexander Calder.A pioneer of abstract sculpture in the United States, in 1936 Lassaw was a founding member of the organization American Abstract Artists. Between 1933 and 1942 he worked for various federal arts projects: the Public Works of Art Project, Civil Works Authority, and WPA, the Works Progress Administration Federal Art Project. In 1938 he produced his first welded work. He served with the U.S. Army, where he learned direct welding techniques. During the 1940s he experimented with cage constructions and with acrylic plastics, adding color to his sculptures by applying dye directly to their surfaces. In 1949 Lassaw was a founder of the Club, an informal discussion group of avant-garde artists that had developed from gatherings at his studio, on Eighth Street. During the mid-1930s, Lassaw worked briefly for the Public Works of Art Project cleaning sculptural monuments around New York City. He subsequently joined the WPA as a teacher and sculptor until he was drafted into the army in 1942. Lassaw's contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of the American Abstract Artists group, and served as president of the American Abstract Artists organization from 1946 to 1949. In 1951, Samuel Kootz invited Lassaw to join his gallery in New York. He also had a summer gallery in Provincetown, MA. Lassaw had been summering in Provincetown since 1944, and in 1951 rented an apartment next door to the Kootz Gallery. Among the artists in the Kootz Gallery were Jean Arp, William Baziotes, Georges Braque, Jean Dubuffet, Herbert Ferber, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Fernand Leger, Georges Mathieu, Joan Miró, Robert Motherwell, Pablo Picasso, Pierre Soulages, and Maurice de Vlaminck. Lassaw is a sculptor who was a part of the New York School of Abstract expressionism during the 1940s and 1950s. Jackson Pollock, Lee Krasner, James Brooks, Willem de Kooning, and several other artists like Lassaw spent summers on the Southern Shore of Long Island. Lassaw spent summers on Long Island from 1955 until he moved there permanently in 1963. SELECT EXHIBITIONS 1961 International Exhibition of Modern Jewelry 1890–1961, organized by the Worshipful Company of Goldsmiths in association with the Victoria and Albert Museum, London 1967 Exhibition of Jewelry by Painters and Sculptors, organized for circulation by MoMA 1973 Jewelry...

Budd Hopkins, American (1931-2011) Strike Red Oil on canvas, 1965, signed 'Hopkins' and dated lower right. Dimensions: 85 x81 in., 86 x 52 in. with frame. Provenance: bears partial label remnant verso from Poindexter Gallery. (a major gallery founded in 1955 in New York City by Elinor Poindexter. The gallery specialized in sculpture, abstract, and figurative art and featured the works of such artists as Richard Diebenkorn, Jules Olitski, Nell Blaine, Al Held, Willem de Kooning, Franz Kline, Earl Kerkam, Milton Resnick and Robert De Niro, among others. Budd Hopkins was one of the leading proponents of the "hard-edge" abstract minimalist school of painting in the 1950s and 1960s, Budd Hopkins (born 1931) created works that show the strong influence of Jackson Pollock and other leading painters of the Abstract Expressionism movement. Hopkins' paintings are now in numerous major collections, including the San Francisco Museum of Art, the Guggenheim Museum in New York, and the Hirshhorn Collection in Washington, DC. Recently, he has also been recognized for his research into the matter of UFOs and one of his books, "The Intruders", printed by Random House, was on the New York Times best-seller list and was the basis for a television show on CBS. Born in 1931, he is a graduate of Linsly Military Institute (now Linsly School) in 1949 and Oberlin College in 1953. He first displayed artistic abilities when, as a child recovering from a long-term illness, he began to create sculptures of ships made out of modeling clay. But it wasn't until he arrive at Oberlin that he made a serious study of art. Later, Hopkins included abstracted figures in his sculptural pieces. While moving away from Abstract Expressionism, Hopkins retained in his work the use of intense colors and hard-edged forms. His works of the 1980s, including Temples and Guardians, featured these "sentinels" who were, according to Hopkins, "participating in a frozen ritual, fixed – absolutely – within a privileged space..." Though Hopkins denied any connection, some critics viewed these ritualistic pieces as an extension of Hopkins' fascination with alien beings. Hopkins viewed his sculpted guardians not as human per se, but as magical, fierce, noble robots of the unconscious. He settled in New York after obtaining his degree and has had a residence there ever since. He and his wife, April Kingsley, and their daughter, Grace, divide their time between their home at Cape Cod, Mass., and that in New York City. In his work, he travels widely. He has exhibited in England, Finland, Italy and Switzerland. In 1963, Hopkins was selected by the Columbia Broadcasting System as one of the 15 painters featured in the network's first television special on American art. In 1958, Art News picked him as one of 12 Americans for exhibition in Spoleto, Italy, in the "Festival of Two Worlds." His brilliance has won him a number of fellowships and awards. In 1972, the West Virginia Arts and Humanities Council awarded him its Commission Prize. In 1976, he received the John Simon Guggenheim Fellowship for Painting and in '79 he received a fellowship from the National Endowment of the Arts. He also won a special project grant from the New York State Council on the Arts in 1982. He was friends with Robert Ryman and many of the other 10th street avant garde artists. He was an original member of March Gallery which showed Alice Baber, Elaine de Kooning, Mark di Suvero, Lester Johnson, Matsumi Kanemitsu. His art has been featured in the Metropolitan Museum of Art, Museum of Modern Art, Bronx Museum of Art, Brooklyn Museum, Whitney Museum, Corcoran Gallery, Guggenheim Museum, Queens Museum in New York, and the Public Library of New York. He was included in Young America 1960: Thirty American Painters Under Thirty-Six buy Lloyd Goodrich at the Whitney Museum of American Art in NYC. Artists included: Sonia Gechtoff, Edward Giobbi, Ron Gorchov, James Harvey, Budd Hopkins, Wolf Kahn, Alex Katz, Robert Natkin, Rudy Pozzatti, Dean Richardson...

original Black ink on paper Image size: H:39 cm x W:30 cm Complete Size of Unframed Work: H:39 cm x W:30 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an ...

The Gem Tree, Original Contemporary Mixed Media Sculpture 26" x 31" x 19" (HxWxD) Wood, Wire, Crystal Beads Artist Todd McCollister has created a 3D surreali...

Collection: Beyond The Horizon Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. Th...

Night 2009. Painted porcelain vase, h. 20 cm, dia. 11 cm Night, the painted porcelain vase from 2009, is a captivating piece of art that transports you to a surreal and mysterious r...

Water 2009, painted porcelain plate, 39х19х2.5 cm Water is a captivating and evocative painted porcelain plate. It combines artistic craftsmanship, a romantic theme, and the allure ...

Collection: Earth Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. The physicality...

Monochromatic abstract figurative ink drawing by artist Joseph Glasco. The piece depicts a figure of a man standing with one leg raised. Unsigned. Framed and matted in a simple black...

Relic 1999, painted porcelain plate, dia. 31 cm Relic, the painted porcelain plate from 1999, is a captivating piece of art that showcases a black and white surreal composition. Wit...

Birds 2009, painted porcelain plate, diam. 20.5 cm The central focus of the plate is the depiction of two birds surrounded by blooming flowers. The artist has skillfully painted the birds, capturing their graceful forms and vibrant colors. The flowers add a touch of beauty and provide a visually appealing backdrop for the avian subjects. The combination of birds, blooming flowers, and the mysterious...

Monochromatic abstract figurative ink drawing by Joseph Glasco. The piece depicts a nude voluptuous woman in a reclining position with her arms raised. Unsigned. Framed and matted in...

This cotton beach towel features Rokkaku's painting UNTITLED (2021), which depicts a floating dreamscape of colourful clouds. At a closer look, wide-eyed girls and other fantastical ...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian governed academia setting. This presence exposed Franci...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian governed academia setting. This presence exposed Franci...

Biomorphic Surrealism. Signed Luigi, Enamel on metal (probably copper). Mounted to a plexi or acrylic purple mounting. I am assuming it is Italian as it is signed Luigi but it might ...