DE ST JORRE, John

"The Art Of The Links" 2017 DE ST JORRE, John

2017

KOCHERT, Irmgard Hauser [526] pp. Studio Per Edizioni Scelte 1990 14" x 10 1/4" Studio per Edizioni Scelte SPES (Publisher) 1990 Numerous illustrations in color and black & white Text in English (trilingual introduction English, German & Italian) Fine/ Fine (Austrian jewelers, Vienna, Wien, Koechert, earrings, rings, necklaces, pendants, brooches, bracelets, tiaras, jewelry, Emanuel Piote, Jacob Heinrich Kochert 1795-1869, Alexander Emanuel Köchert 1824-1879, Heinrich Köchert 1854-1908, Theodor Köchert 1859-1936, Erich Köchert 1882-1949, Wilfried Köchert 1900-1981, Johann Baptist Zobl, Franz Zopf, Ferdinand Cosandier, Peter Fendi...

Fan Sz: 9 3/4"H x 19"W Frame Sz: 12 3/4"H x 21 3/4"W w/ gilt bamboo frame

Framed set of 5 pen & ink hand-drawn by R. Weniger postcards from Italy addressed to the philanthropist Seymour H Knox of Buffalo, NY Art Sz: 12 1/2"H x 12"W Frame Sz: 16 3/4"H x 1...

VREELAND, Alexander [edited by] [304] pp. Rizzoli 2013 12 1/4" x 9 1/4" Diana Vreeland Memos: The Vogue Years, a new book from Rizzoli, chronicles the editor's tenure at this ma...

DUNNE, Dominick [forward by] Privately Printed 1998 8" x 9 1/4" [72] pp. Spiral-bound Mortimer's, on Manhattan's Upper East Side, was the society restaurant of the 1980s and 90s. Glenn Bernbaum, the famed restaurant's proprietor, was more important to the restaurant's success than any dish that came out of its kitchen. He understood that the most essential recipe for a restaurant's success is understanding its clientele. Mortimer's was cozy and clubby, and its menu harkened back to the comfort foods one recalled from childhood. Moreover, the prices were reasonable, which appealed to the old money types who so enjoyed eating there. Per Bernbaum, "There's nothing the rich like better than a bargain." In fact, Mortimer's was so understated that Hollywood did not get it. Dominick Dunne...

KISSENGER, Henry [introduzione di] [238] pp. Rizzoli Text in Italian 2007 9 1/2" x 9 1/4" An illustrated biography of the personal world of Gianni Agnelli - one of the great pe...

Pierre Berchet, Drawing of Putti playing in a landscape, Painter of decorative history subjects; trained under La Fosse; worked in France and during the 1690s...

Though he is most celebrated today for his extraordinary work as an artist of ornithological and zoological subject matters, Schouman was also a prolific documenter of landscape in his native Holland. The present drawing, which depicts a view of the Castel of Vianen, fits securely into a corpus of drawings Schouman produced on the same scale and in the same distinctive combination of media, examples of which are today housed in the collection of the Koninklijk Zeeuwsch Genootschap der Wetenschappen, Middelburg. Castle Batestein (also called Batenstein ) is a castle disappeared from the Netherlands . It was built on the banks of the Lek in the small town of Vianen, then in the province of South Holland (now in the province of Utrecht ). The castle was burned down in 1696 and then demolished. Remains only the Hofpoort (or castle gate...

Jan van der Heyden (1637 Gorinchem - 1712 Amsterdam), attributed. Old Master Drawing, Westerkerk Keizersgracht in Amsterdam, 17th century, Dutch Westerkerk and Keizersgracht in Amsterdam Backside: later drawn backside with village church of the 18th century Chalk and pen on paper 23,5 x 18,5 cm Preliminary drawing for a painting from the creative period c. 1667 - 1670. This painting has been published a few years ago by Peter C. Sutton in the catalogue raisonné of the artist. Van der Heyden was initially a pupil of a glass painter, but later turned exclusively to architectural painting and went to Amsterdam, where he painted views of churches, castles, palaces, public squares, streets, canals, etc., most of which are richly decorated with staffage. In addition, van der Heyden was also active as an inventor, for example, he developed a street lighting system for Amsterdam by means of oil street lamps, which was in operation from 1669 to 1840. After a stay in London, he painted the London fire of 1666, which he either witnessed himself or had seen the consequences of. Certainly influenced by this, he did much to further the technical and organisational development of the fire brigade from 1669 onwards. His greatest invention was probably the fire hose, which enabled significant improvements in fire-fighting technology and tactics. He also improved the hand-operated fire engines of the time by making them smaller, more mobile and more powerful, and he developed the series connection of several pumps to increase the pressure in order to achieve a greater range for the water jet. In 1690, together with his son, he was the author and illustrator of the Brandspuiten-boek, the first manual for fire fighting. Johann Lingelbach, Adriaen van de Velde and Eglon van der Neer...

Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle. Probably a d...

Unknown Artist, French School 18th Century, Circle of Mallet? Scene taken from the Decamerone. Old Master Drawing

Black chalk, partly washed, on paper, sheet 27.5 x 19.7 cm Plain gold moulding, 44.8 x 36 cm The Rhenish still life painter Johann Martin Metz was ...