Francis Antony Kodankandath

Application for the Patent of a Paper Boat 1

2023

2023, Acrylic and handmade paper folds

2023, Acrylic and handmade paper folds

2023, Acrylic and handmade paper folds

2023, Acrylic, resin and rice paper on canvas

2020, Handmade Senshi paper, sheep and weasel hair brush, oil smoke ink

2020, Handmade Senshi paper, sheep and weasel hair brush, oil smoke ink

Chicago-based artist Michael Thompson creates unique compositions of abstract painted elements and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. In a departure from his split bamboo kite series, this work on stretched canvas entitled "Study in Red" layers textured paper and silken fragments within a rosy...

Iñaki Moreno (1968 Inca, Mallorca) grew up in Bilbao and currently lives in Barcelona, ​​where he works every day in an old 19th century convent converted into a workshop. From its w...

Unique large scale mixed media assemblage featuring a three dimensional, textured handmade paper scroll unfurling to reveal an abstract expressionist watercolor painting with gold ac...

Pampa Panwar Untitled, Acrylic on Paper 15 x 11 inches ; 2007 (each) (without frame) Inclusive of shipment in roll form. Mahajabin Majumdar Untitled, Mixed media on Paper 15 x 11 ...

SALE ONE WEEK ONLY “Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...

Multidisciplinary artist Joachim Romain aligns himself with a contemporary wave, propelled by the concepts of time and the resulting wear and tear. He delves into the urban environment and the consumer society that conditions us on a daily basis. His work is grounded in paper, posters, and advertising discourse, referencing overconsumption. "The consumer society in which we live exists thanks to paper and advertising posters that sprawl across cities in 4 x 3 format," he states, utilizing this medium to denounce the commercial message. The poster is thus recycled, manipulated, glued, and exhibited once again, reflecting the endless mirror...