Invader

The Art Form Issue 4 (Invader Cover 2)

2020

Program booklet for the Cans Festival organized by Banksy in May, 2008. Rare piece of Street Art history. 44 color pages. Printed in limited numbers for this occasion only and never ...

Very hard to find Alternatives Vegetariennes Magazine #130 featuring Invader cover. Released for the Winter 2017-2018 edition. Very limited release. Has interview with Invader and de...

Beautiful Invader covers on The Art Form Magazine Issue 4. There were 2 limited edition covers made for this issue. This is cover 1. Features different Invader character artwork on b...

Volume 1 by Banksy's ex-manager Steve Lazarides. First edition book. Limited edition of 5000. Numbered inside book. Released in 2019. Has many never before seen images of Banksy (fac...

Envelope is hand stamped by Invader 15 postcards included. Some are pictured in image gallery. Made for the “Hello My Game Is…” exhibition at the Musee en Herbe in Paris, France. Pos...

Limited edition of only 2000 made. Amazing collectible catalog for the Invader collector. Book was released to celebrate Invader mosaics around Paris. Released in 2011 as part of an ...

Really well done collage in black and white with a few subtle touches of deep red. Collage is done on a box board and ready to hang.

Multidisciplinary artist Joachim Romain aligns himself with a contemporary wave, propelled by the concepts of time and the resulting wear and tear. He delves into the urban environment and the consumer society that conditions us on a daily basis. His work is grounded in paper, posters, and advertising discourse, referencing overconsumption. "The consumer society in which we live exists thanks to paper and advertising posters that sprawl across cities in 4 x 3 format," he states, utilizing this medium to denounce the commercial message. The poster is thus recycled, manipulated, glued, and exhibited once again, reflecting the endless mirror...

17in. x 22in.

"Tri Badlands Queen", 2020. Collage on live edge wood slab.

"The goal of TROUBLE is to open up my world to the public without taking things too seriously. In TROUBLE 2 you’ll find some of my favorite painting & mural projects, inspirations an...

Dismaland is the latest innovation in family light entertainment by the graffiti artist Banksy. Installed in the centre of an unfashionable British seaside town frequented by low-income families, Banksy describes it as “the perfect art audience.” The location is a former lido comprising four acres of walled seafront compound, which in recent years has come to more closely resemble a neglected prison yard, an atmosphere Banksy has endeavoured to preserve by declaring that none of the installation crew were allowed to bring a broom. This is an art show for the 99% who would rather not be at an art show. It features a fairytale castle, a boat pond, arcade games and extensive water gardens, all given a distinctly modern twist. But beyond the Mickey-taking is a deadly serious attempt to assemble a show that takes stock of its generation. “It's scrappy, incoherent and self-obsessed, so maybe we're halfway there,” says Banksy. This is certainly not a “street art” show—an art form Banksy describes as “just as reassuringly white, middle class and lacking in women as any other art movement.” The roster of artists ranges from Jenny Holzer, winner of the gold medal at the Venice Biennale, to Ed Hall, a pensioner who has spent forty years producing every major trade union banner...