Oranges on a Table, Original Painting
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James HartmanOranges on a Table, Original Painting2018
2018
About the Item
Artist Comments
I built a cradled wood panel, covered it in 1906 ephemera collage, then coated it with beeswax and paint using a blowtorch. I enjoyed painting these personal objects that tell a story.
About the Artist
When James Hartman was in art school, he became fascinated with the Society of Six, a group of artists who painted en plein air (outdoors) and exhibited together in the San Francisco Bay Area during the early 20th Century. James's paintings of the Northern California landscape pay tribute to some of the great Bay Area artists of the past. His expressive scenes feel alive through his vibrant use of color and his painterly brushwork. James’s paintings have an immediate visual impact from a distance, yet up close, dissolve into a series of confident marks and strokes. There is a simultaneous complexity and steadiness in his flattened, color-blocked planes. Knowledge and observation are essential elements of James’s working practice. To this end, he spends a large proportion of his time painting on location. His body of work captures the fresh and sunlit essence of the coastal California hills.
Words that describe this painting: still life, abstract, modern, bay area, Matisse, Derain, impressionism, still life, representational, encaustic artwork, blue
Oranges on a Table
James Hartman
Encaustic artwork on wood
Finished black edges
Ready to hang
One-of-a-kind
Signed on front and back
2018
12 in. h x 12 in. w x 1.5 in. d
1 lbs. 12 oz.
- Creator:
- Creation Year:2018
- Dimensions:Height: 12 in (30.48 cm)Width: 12 in (30.48 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Oranges on a Table. James Hartman. Encaustic artwork on wood. Finished black edges. Ready to hang. One-of-a-kind. Signed on front and back.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 625491stDibs: LU92216534862
- Cows on Mount DiabloBy James HartmanLocated in San Francisco, CA
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My intention here is to get the viewer to feel as if they were on a mountain in Northern California. I covered my wood panel with glue and paper as a mordant for the beeswax / damar crystal coating. I use oils and pigments for color and a propane torch to get the medium molten.About the Artist
When James Hartman was in art school, he became fascinated with the Society of Six, a group of artists who painted en plein air (outdoors) and exhibited together in the San Francisco Bay Area during the early 20th Century. James's paintings of the Northern California landscape pay tribute to some of the great Bay Area artists of the past. His expressive scenes feel alive through his vibrant use of color and his painterly brushwork. James’s paintings have an immediate visual impact from a distance, yet up close, dissolve into a series of confident marks and strokes. There is a simultaneous complexity and steadiness in his flattened, color-blocked planes. Knowledge and observation are essential elements of James’s working practice. To this end, he spends a large proportion of his time painting on location. His body of work captures the fresh and sunlit essence of the coastal California hills.Cows on Mount Diablo...
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When James Hartman was in art school, he became fascinated with the Society of Six, a group of artists who painted en plein air (outdoors) and exhibited together in the San Francisco Bay Area during the early 20th Century. James's paintings of the Northern California landscape pay tribute to some of the great Bay Area artists of the past. His expressive scenes feel alive through his vibrant use of color and his painterly brushwork. James’s paintings have an immediate visual impact from a distance, yet up close, dissolve into a series of confident marks and strokes. There is a simultaneous complexity and steadiness in his flattened, color-blocked planes. Knowledge and observation are essential elements of James’s working practice. To this end, he spends a large proportion of his time painting on location. His body of work captures the fresh and sunlit essence of the coastal California hills.Words that describe this painting: table, still life, encaustic, beeswax, wine, flowers, bay, lemons, vase, water, oranges, mixed media, expressive, food, impressionism, still life, encaustic artwork
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