Julia Galloway

Dolcis Domus Teapot

1990's

Entitled LANDSCAPE WITH SUN AND MOON this work on paper depicts a landscape. There is a small building or house in an orchard of small trees. In the top center is a translucent yellow shape with serrated edges portraying the sun. To the right is a silver circle depicting the moon. In the top left corner are orange lines depicting water. Drawn and green pencil or grass shapes. Drawn in red pencils or red dots. A Blue swirl is printed underneath the landscape in the foreground. This is a unique multiple oil relief print on paper measuring 10” high by 15” wide. This work is unframed. Unique. because it's one of a kind. Although printmaking processes are used there are no multiples made. Only one. This work is made by printing with different relief blocks multiple times, drawing with colored pencils, and airbrushing. The inks used are oil-based. Signed and dated In graphite pencil en verso ( on the Back). Writing on the back reads #0852016 (number 85 of the year 2016), landscape with sun and moon (title), © 2016 Francis X Pavy...

Jay Alan Babcock is a St. Louis-based graphic designer and painter. His work exhibits his interest in the visual language of Americana, including old ...

CAR SERVICE Hand cut paper on heavy weight gessoed watercolor paper, framed in flat gray painted wood & plexi. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

In this series, Audrey Anastasi has shifted her focus away from naturalistic domestic settings to a dark, enigmatic, and some might say, unsettling, pl...

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

SALE ONE WEEK ONLY "Glass Fused Ceramic Vase" is vintage Mid-Century Modern. This handsome vase has an elongated neck with a white glass-fused inlay porti...