Lourdes Cirlot

Will Faber by Lourdes Cirlot

1990

original and certificated by gallery

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

Lewis Barrett Lehrman's ( American, 1933- 2023) exceptional artistic vision shines brilliantly in his one-of-a-kind creation : a 3D print capturing the iconic skyline of New York Ci...

London, 2021 In this piece I try to express my feeling of the overwhelming containment and expansive architecture of London. I wanted to make the piece three dimensional - showing buildings moving in and out of the print - as well as the jumbled nature of the old and new. - Mike G Jackson "The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme." - (the Artist: Mike G Jackson) Artwork detail: Unique One-off-piece; combining 4 x Prints, Selenium toned Silver Gleatin Luminogram Print, Hand printed in the darkroom, Framed Dimensions: 30 x 40 inches (76.2 x 102.6 cm approx plus frame); can be framed separately or in one frame upon request Frame: Mounted on aluminium Dibond, custom made hardwood frame (framing options available upon request; colour and various wood options) finish with antireflective UV protective AR Art Glass Mounting and framing of this work will be done after the purchase so the framing options like framing colour for example can be made according to specifications of the client; matt or gloss, black, white, metallic etc Shipping: the work would be crated for protection and shipped by professional art shipping company; front door delivery; complementary delivery and install available in London area About the Artist: Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. Past awards and accolades include being named a Finalist for the Hasselblad Masters Award (2008, 2009, 2010) and winner of the 2013 Chris Beetles Award. His work has been exhibited internationally and is part of various private and public art and photography collections including The National Art Gallery in Washington, USA. Michael Jackson’s Luminograms are a very special piece of photographic art. Not a photograph in itself but a creative medium of its own. Each one is meticulously crafted by Michael in his darkroom. There are many structured stages to go through before the photographic paper can be hand developed and permanently fixed. Once Michael is happy with a finished Luminogram print it’s then toned in Selenium, which not only intensifies the prints tonality, but also increases the prints archival quality. Traditional photographic darkroom printing techniques have an unquestionable pedigree when it comes to the life expectancy of a photograph. Each Luminogram is unique and only one Silver Gelatin Print is produced of each image. The images reveal themselves with a 3D quality; viewed in the flesh the abstracted surreal forms within the paper come alive to the viewer. Michael Jackson’s Luminograms were exhibited for the first time at MMX Gallery in 2016; The Self Representation of Light exhibition and the following year at Photo London 2017 as well as next Photo London editions. The Luminogram work was also paired with theologian Edwin A. Abbott in a book published by 21st Editions, titled after the author’s famous work ‘FLATLAND’ and premiered in November at the Grand Palais in Paris, for Paris Photo 2017. Other recent group exhibitions include Light + Metal, PhotoEye Gallery, (USA) and Unbound 7, Candela Gallery, (USA), ATO>MIC, MMX Gallery, London 2022. “Mike Jackson...

This piece is framed and has plexiglas; Yossi's intricate work is intriguing and contemporary.

“Colors appear connected predominantly in space. Therefore, as constellations they can be seen in any direction and at any speed. And as they remain, we can return to them repeatedly...

“Colors appear connected predominantly in space. Therefore, as constellations they can be seen in any direction and at any speed. And as they remain, we can return to them repeatedly...

“Colors appear connected predominantly in space. Therefore, as constellations they can be seen in any direction and at any speed. And as they remain, we can return to them repeatedly and in many ways.” ― Josef Albers, Interaction of Color (1963) “I wanted to see if I could create tension and interest just by playing with color and composition—as to build a foundation on which my paintings could be constructed [. . .] I realized they were the first space in which I allowed myself to be free of representation, to explore color and composition not just as tools but as the medium through which my vision could come to life.” ― Lucía Rodríguez Pérez on the Grid series, 2023 In 2018, Lucía Rodríguez Pérez commenced her Grid series collages, which began as an exercise in exploring color without the constraints of paint. Her inspiration for this work came from two artistic influences: the medium of German artist and educator Joseph Albers...