Maurizio Cattelan

DIE / DIE MORE / DIE BETTER / DIE, artist book deluxe

Mark Ryden The Gay 90's (Hand signed by Mark Ryden), 2013 Hardback monograph (hand signed by Mark Ryden) Boldy signed by Mark Ryden 12 1/4 × 9 1/4 × 1 inches This elegant hardback monograph with illustrated covers and no dust jacket, as issued, was signed by the artist for the present owner at the exhibition "Mark Ryden: Dodecahedron" at the Paul Kasmin Gallery on December 10, 2015. It makes an excellent gift! Publisher ‏ : ‎ Rizzoli; First Edition (April 16, 2013) Hardcover ‏ : ‎ 146 pages with color illustrations Publisher's blurb: Celebrated Pop Surrealist artist Mark Ryden’s newest body of work, presented in this book for the first time. Crowned "the high prince of Lowbrow," Mark Ryden has become a fixture of the contemporary alternative art movement. In his newest work, Mark Ryden: The Gay 90’s, the artist casts...

Limited edition print (edition of 87, the age of sir Terry Frost) by his son British American artist Adrian Frost. Signed and numbered 24 of 87 A tribute to the late Sir Terry Frost...

The Chagall mezuzah collection is a limited edition art project celebrating the art of one of the most iconic Jewish artist in history. This edition, consists of 1,800 sets of 12 Mezuzah casings, one for each of the tribes of Israel. Designed by Israeli artist Menahem Berman and certified by ARTE art gallery in Jerusalem, this exquisite housing is set in a 24k gold plated case. Enclosed within, on fine 300gr art paper, is a full color silkscreen print of the Chagall window...

OKLA 2021 Catalog: Limited edition of 100 copies signed by artist Ed Ruscha This fully illustrated catalogue documents the landmark exhibition as installed at Oklahoma Contemporary...

Fei Alexeli Plants and Marble #1 Limited Edition Print Giclee Print Edition of 20 Image Size : H 38cm x W 27cm Sheet Size: H 50cm x W 40cm (Please note that in situ images are purely...

Dismaland is the latest innovation in family light entertainment by the graffiti artist Banksy. Installed in the centre of an unfashionable British seaside town frequented by low-income families, Banksy describes it as “the perfect art audience.” The location is a former lido comprising four acres of walled seafront compound, which in recent years has come to more closely resemble a neglected prison yard, an atmosphere Banksy has endeavoured to preserve by declaring that none of the installation crew were allowed to bring a broom. This is an art show for the 99% who would rather not be at an art show. It features a fairytale castle, a boat pond, arcade games and extensive water gardens, all given a distinctly modern twist. But beyond the Mickey-taking is a deadly serious attempt to assemble a show that takes stock of its generation. “It's scrappy, incoherent and self-obsessed, so maybe we're halfway there,” says Banksy. This is certainly not a “street art” show—an art form Banksy describes as “just as reassuringly white, middle class and lacking in women as any other art movement.” The roster of artists ranges from Jenny Holzer, winner of the gold medal at the Venice Biennale, to Ed Hall, a pensioner who has spent forty years producing every major trade union banner...