Niki de Saint Phalle

BROOCH (OISEAU)

This Niki de Saint Phalle Brooch is representative of her iconic NANA.

LESLEY DILL ONLY, 2004 bronze, paint, ink, wire, thread 58 x 19 x 14 in. 147.3 x 48.3 x 35.6 cm.

The language on this suspended wooden sculpture reads "How ruthless are the gentle" Emily Dickinson

watercolor, silver leaf on BFK paper

This work of art is a screen print, relief, and collage with colored silver and gold leaf and thread on Sekishu Thick, Koso, French Black Hemptone, printed on Rives BFK. The language...

The language featured on this sculpture reads "I am a hesitation before birth, My Life is a hesitation before birth" - Franz Kafka

Quiet Please was developed through an intuitive process of layering and expressive mark-making. Marksbury’s paintings explore ideas of time and space, the fantastic and mystical, sym...

ANDY WARHOL (after) Marilyn Silver, 2010 Porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Facsimile signature in glaze, numbered on the reverse on label In wooden box, accompanie...

ANDY WARHOL (after) Marilyn Orange-Pink, 2010 Enamel on porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze, numbered on the reverse on label In wooden box, accompan...

ANDY WARHOL (after) Marilyn Purple-Red, 2010 Enamel on porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze, numbered on the reverse on label In wooden box, accompani...

ANDY WARHOL (after) Twenty Marilyn, 2010 Enamel on porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze, numbered on the reverse on label In wooden box, accompanied by Certificate of Authenticity from the Rosenthal Studio in collaboration with The Andy Warhol Foundation for the visual Arts INC., New York. In excellent condition Framed Of all Andy Warhol's celebrity subjects, none seem more perfectly emblematic of how the artist perceived and synthesised America than Marilyn Monroe. Warhol saw in Monroe all the promise, beauty, sex symbol, a Hollywood product, the fame and tragedy that 1960s America was capable of realizing. In his Marilyn portraits – which he began shortly after Monroe's death, in August 1962 and taking on the suggestion of Henry Geldzahler - it's impossible to locate what one might call the truth of the subject. Based on Warhol's painting Marilyn Diptych, which belongs to the collection of the Tate Museum in London. Marilyn's repeated face in a grid, is a clear indicators of Warhol's conceptual commercial printing. Every Saturday night and Sunday morning, the young Andrew Warhola and his mother made a 3 mile walk to Saint John Chrysostom church, a small Byzantine Catholic church. In the church he saw the iconostasis, which was a grid with religious pictures...

"Looking for faith at the party" stems from finding pattern and rhythm in the world around him. Giles' paintings begin from finding places and spaces between words and lines in the text of "One Hundred Years of Solitude...