Crazy Quilt Chalice Form
View Similar Items
1 of 4
Richard MarquisCrazy Quilt Chalice Form 1979
1979
About the Item
- Creator:Richard Marquis (1945, American)
- Creation Year:1979
- Dimensions:Height: 6.5 in (16.51 cm)Width: 4 in (10.16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Renton, WA
- Reference Number:1stDibs: LU5141410933
You May Also Like
- Herb Babcock "Glass Vase" Blown Glass White & Blue Background Red SplashesLocated in Detroit, MISALE ONE WEEK ONLY "Blown Glass" vase is a light beautiful wisp of blown glass infused with a milky white and blue fog of color and bold splashes of red. The vase has a long elegant neck and round body. Herb Babcock known as a Michigan Glass Artist began as a metal sculptor. He studied glass blowing in 1969 and created a series of Glass Image Vessels in 1974. Eventually he began to combine metal and glass in sculpture. The Pillared Series, which includes glass, steel and stone, began in 1989. Herb received both his BFA and his MFA in Sculpture: his bachelor’s degree from the Cleveland Institute of Art and his master’s from the Cranbrook Academy of Art Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), and Morris Brose...Category
1970s American Modern More Art
MaterialsGlass
$1,960 Sale Price30% Off - Aldo Londi Vase Abstract "Glass Fused Ceramic Vase"Located in Detroit, MISALE ONE WEEK ONLY "Glass Fused Ceramic Vase" is vintage Mid-Century Modern. This handsome vase has an elongated neck with a white glass-fused inlay porti...Category
Mid-20th Century American Modern More Art
MaterialsCeramic, Glass
$2,590 Sale Price30% Off - Voiliers, sailboatsBy KOKO HOVAGUIMIANLocated in La Canada Flintridge, CA'Voiliers' (Sailboats), oil on canvas. Artist signed lower right and certificate of authenticity is available. Voiliers, French for Sailboats, is a scenic depiction of abstract sailboats setting sail off a near by coastal town. These boats have set sail on adventurous travels, each with unique colors, and brushwork techniques. The clear waters and warm skies set...Category
2010s American Modern Figurative Paintings
MaterialsOil
$11,200 Sale Price30% Off - "Untitled" Ceramic Vase with Etched Figures, Green Glaze, Signed on BottomLocated in Detroit, MISALE ONE WEEK ONLY Douglas’s etched ceramic vase in a rich earthy green glaze expresses the Mid-Century Modern style of simplicity of lines, forms and color. Despite its formal shap...Category
Mid-20th Century American Modern More Art
MaterialsCeramic, Glaze
$1,080 Sale Price40% Off - John Glick Plum Tree Pottery , Stoneware Mug, Deep Earth Tones, GlazedLocated in Detroit, MI“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 129, plate #236 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...Category
Late 20th Century American Modern More Art
MaterialsStoneware, Glaze
- John Glick Plum Street Pottery Reduction Fired Shino Glaze Cup Published in BookLocated in Detroit, MI“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...Category
1990s American Modern More Art
MaterialsStoneware, Glaze