Silvio Cabianca

Authograph Letter Signed by Silvio Cabianca to the Artist Carlo Ferrari - 1926

1926

The Blossoming Freedom Tree is an original painting realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored Canson paper. Hand-sign...

Sowing Revolutionary Flowers is a painting realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored Canson ...

Venusian Tree Of Hope is an original painting realized by Iranian artist and poet Parimah Avani in 2022. China ink and acrylic on ivory-colored Cans...

"Please Call Dr. Horder", Sylvia Plath's last Note is an original painting realized by Iranian artist and poet Parimah Avani in 2022. China ink and acryl...

Nightmares In Via Carlo Alberto 6 "Nietzsche in Turin" is an original painting realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored Canson paper. Hand-signed and dated. From the series "Turin Trance Traces" in which the artist tries to reflect the sensations of great writers...

Because You Are Dead is a drawing realised by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-colored paper. Hand-signe...

London, 2021 In this piece I try to express my feeling of the overwhelming containment and expansive architecture of London. I wanted to make the piece three dimensional - showing buildings moving in and out of the print - as well as the jumbled nature of the old and new. - Mike G Jackson "The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme." - (the Artist: Mike G Jackson) Artwork detail: Unique One-off-piece; combining 4 x Prints, Selenium toned Silver Gleatin Luminogram Print, Hand printed in the darkroom, Framed Dimensions: 30 x 40 inches (76.2 x 102.6 cm approx plus frame); can be framed separately or in one frame upon request Frame: Mounted on aluminium Dibond, custom made hardwood frame (framing options available upon request; colour and various wood options) finish with antireflective UV protective AR Art Glass Mounting and framing of this work will be done after the purchase so the framing options like framing colour for example can be made according to specifications of the client; matt or gloss, black, white, metallic etc Shipping: the work would be crated for protection and shipped by professional art shipping company; front door delivery; complementary delivery and install available in London area About the Artist: Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. Past awards and accolades include being named a Finalist for the Hasselblad Masters Award (2008, 2009, 2010) and winner of the 2013 Chris Beetles Award. His work has been exhibited internationally and is part of various private and public art and photography collections including The National Art Gallery in Washington, USA. Michael Jackson’s Luminograms are a very special piece of photographic art. Not a photograph in itself but a creative medium of its own. Each one is meticulously crafted by Michael in his darkroom. There are many structured stages to go through before the photographic paper can be hand developed and permanently fixed. Once Michael is happy with a finished Luminogram print it’s then toned in Selenium, which not only intensifies the prints tonality, but also increases the prints archival quality. Traditional photographic darkroom printing techniques have an unquestionable pedigree when it comes to the life expectancy of a photograph. Each Luminogram is unique and only one Silver Gelatin Print is produced of each image. The images reveal themselves with a 3D quality; viewed in the flesh the abstracted surreal forms within the paper come alive to the viewer. Michael Jackson’s Luminograms were exhibited for the first time at MMX Gallery in 2016; The Self Representation of Light exhibition and the following year at Photo London 2017 as well as next Photo London editions. The Luminogram work was also paired with theologian Edwin A. Abbott in a book published by 21st Editions, titled after the author’s famous work ‘FLATLAND’ and premiered in November at the Grand Palais in Paris, for Paris Photo 2017. Other recent group exhibitions include Light + Metal, PhotoEye Gallery, (USA) and Unbound 7, Candela Gallery, (USA), ATO>MIC, MMX Gallery, London 2022. “Mike Jackson...

SALE ONE WEEK ONLY “Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...

An artwork on paper by New York artist Miranda Maher. Giclee print on watercolor paper with Sumi Ink and Indian Marble Paper elements. Miranda Maher’s a...

An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper. Miranda ...

An artwork on paper by New York artist Miranda Maher. Black archival ink on pale blue archival paper with historical Audubon images of American birds, mo...

An artwork on paper by New York artist Miranda Maher. Giclee print on watercolor paper with Sumi Ink and Indian Marble Paper elements. Miranda Maher’s a...