Tatsuzo Shimaoka

rope textured vase by Tatsuzo Shimaoka 島岡 達三

Unknown

Untitled Vessel (INV# NP3503) Richard DeVore stoneware and glaze 3.25 x 5.75 x 6” date unknown mid century modern Provenance- "ACCUMULATIONS: NOW" at the LongHouse Reserve Richard ...

Superlight Brown Vase (INV#NP3723) stoneware and glaze 5.75 x 7.25 x 7.25” circa 1989 stamped

Suzuki Goro - Nude Woman Sake Cup stoneware, underglaze and glaze 1.75 x 2 x 2” date unknown signed comes with a signed wooden box BIO- Revered Japanese ...

Higashida Shigemasa Shino Teabowl with Box stoneware and shino glaze 3 x 5.5 x 5.5" date unknown signed by artist

Rare teapot by Suzuki Goro stoneware and glaze 11" tall is the teapot size. Comes with a signed box Teapot is signed on the bottom by the artist. Date unkn...

YOBITSUGI STYLE VASE (INV# NP2717) Aaron Scythe porcelain, clay, underglaze, glaze 8 x 6 x 6” 2020 This vase is made of several different vases, cut apart and enameled back together!

Winton and Rosa Eugene are self-taught potters who have been creating award winning stoneware pottery together in South Carolina for over thirty-four years. Born and raised in Louisiana and South Carolina respectively, the couple made a second career in pottery making. Rosa is a retired nurse and Winton retired from a carpet installation business. He also served as an army paratrooper during the Vietnam War. Winton first learned to turn pots on a traditional kick wheel after being encouraged to do so by Rosa and their daughter Fredriana. A decade later, Rosa began coiling and glazing in collaboration with Winton. Today Winton creates pottery using an electric wheel and does most of the decorative work, while Rosa specializes in customizing and applying glazes and her repertoire includes a diverse range of types and colors. Rosa also produces large pieces of pottery including large bowls, vases, and decorative forms using the coiled method. Most of the Eugenes' pottery incorporates detailed decorative work including painted scenes and carved relief work. These decorative elements involve images from nature and the surrounding environment. As Winton says, “In two hundred years, I want these things about my daily life to stand out, so others will know this is where I worked and lived.” Their experiences growing up in Louisiana and South Carolina, along with many years living in Chicago, inform much of their work.   The couple received honorary doctoral degrees in Fine Art from the University of South Carolina. Their work has been exhibited in museums across the globe including China, Germany, and throughout the South. Their rare and highly collectible Tribute Jugs are a part of the ground breaking traveling exhibit The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, organized by the Virginia Museum of Fine Arts (VMFA) and curated by Valerie Cassel . The art exhibit proposes that the culture of the African American South, as defined by music and vernacular art, is the bedrock of American culture itself, with a strong influence on new art today. Works by the Eugenes are available at Neema Fine Art Gallery. Their Tribute Jugs are inspired by face jugs created by David Drake...

Winton and Rosa Eugene are self-taught potters who have been creating award winning stoneware pottery together in South Carolina for over thirty-four years. Born and raised in Louisiana and South Carolina respectively, the couple made a second career in pottery making. Rosa is a retired nurse and Winton retired from a carpet installation business. He also served as an army paratrooper during the Vietnam War. Winton first learned to turn pots on a traditional kick wheel after being encouraged to do so by Rosa and their daughter Fredriana. A decade later, Rosa began coiling and glazing in collaboration with Winton. Today Winton creates pottery using an electric wheel and does most of the decorative work, while Rosa specializes in customizing and applying glazes and her repertoire includes a diverse range of types and colors. Rosa also produces large pieces of pottery including large bowls, vases, and decorative forms using the coiled method. Most of the Eugenes' pottery incorporates detailed decorative work including painted scenes and carved relief work. These decorative elements involve images from nature and the surrounding environment. As Winton says, “In two hundred years, I want these things about my daily life to stand out, so others will know this is where I worked and lived.” Their experiences growing up in Louisiana and South Carolina, along with many years living in Chicago, inform much of their work.   The couple received honorary doctoral degrees in Fine Art from the University of South Carolina. Their work has been exhibited in museums across the globe including China, Germany, and throughout the South. Their rare and highly collectible Tribute Jugs are a part of the ground breaking traveling exhibit The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, organized by the Virginia Museum of Fine Arts (VMFA) and curated by Valerie Cassel . The art exhibit proposes that the culture of the African American South, as defined by music and vernacular art, is the bedrock of American culture itself, with a strong influence on new art today. Works by the Eugenes are available at Neema Fine Art Gallery. Their Tribute Jugs are inspired by face jugs created by David Drake...

Winton and Rosa Eugene are self-taught potters who have been creating award winning stoneware pottery together in South Carolina for over thirty-four years. Born and raised in Louisiana and South Carolina respectively, the couple made a second career in pottery making. Rosa is a retired nurse and Winton retired from a carpet installation business. He also served as an army paratrooper during the Vietnam War. Winton first learned to turn pots on a traditional kick wheel after being encouraged to do so by Rosa and their daughter Fredriana. A decade later, Rosa began coiling and glazing in collaboration with Winton. Today Winton creates pottery using an electric wheel and does most of the decorative work, while Rosa specializes in customizing and applying glazes and her repertoire includes a diverse range of types and colors. Rosa also produces large pieces of pottery including large bowls, vases, and decorative forms using the coiled method. Most of the Eugenes' pottery incorporates detailed decorative work including painted scenes and carved relief work. These decorative elements involve images from nature and the surrounding environment. As Winton says, “In two hundred years, I want these things about my daily life to stand out, so others will know this is where I worked and lived.” Their experiences growing up in Louisiana and South Carolina, along with many years living in Chicago, inform much of their work.   The couple received honorary doctoral degrees in Fine Art from the University of South Carolina. Their work has been exhibited in museums across the globe including China, Germany, and throughout the South. Their rare and highly collectible Tribute Jugs are a part of the ground breaking traveling exhibit The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, organized by the Virginia Museum of Fine Arts (VMFA) and curated by Valerie Cassel . The art exhibit proposes that the culture of the African American South, as defined by music and vernacular art, is the bedrock of American culture itself, with a strong influence on new art today. Works by the Eugenes are available at Neema Fine Art Gallery. Their Tribute Jugs are inspired by face jugs created by David Drake...

Winton and Rosa Eugene are self-taught potters who have been creating award winning stoneware pottery together in South Carolina for over thirty-four years. Born and raised in Louisiana and South Carolina respectively, the couple made a second career in pottery making. Rosa is a retired nurse and Winton retired from a carpet installation business. He also served as an army paratrooper during the Vietnam War. Winton first learned to turn pots on a traditional kick wheel after being encouraged to do so by Rosa and their daughter Fredriana. A decade later, Rosa began coiling and glazing in collaboration with Winton. Today Winton creates pottery using an electric wheel and does most of the decorative work, while Rosa specializes in customizing and applying glazes and her repertoire includes a diverse range of types and colors. Rosa also produces large pieces of pottery including large bowls, vases, and decorative forms using the coiled method. Most of the Eugenes' pottery incorporates detailed decorative work including painted scenes and carved relief work. These decorative elements involve images from nature and the surrounding environment. As Winton says, “In two hundred years, I want these things about my daily life to stand out, so others will know this is where I worked and lived.” Their experiences growing up in Louisiana and South Carolina, along with many years living in Chicago, inform much of their work.   The couple received honorary doctoral degrees in Fine Art from the University of South Carolina. Their work has been exhibited in museums across the globe including China, Germany, and throughout the South. Their rare and highly collectible Tribute Jugs are a part of the ground breaking traveling exhibit The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, organized by the Virginia Museum of Fine Arts (VMFA) and curated by Valerie Cassel . The art exhibit proposes that the culture of the African American South, as defined by music and vernacular art, is the bedrock of American culture itself, with a strong influence on new art today. Their work is featured at Neema Fine Art Gallery. Tribute Jugs are inspired by face jugs created by David Drake...

Winton and Rosa Eugene are self-taught potters who have been creating award winning stoneware pottery together in South Carolina for over thirty-four years. Born and raised in Louisiana and South Carolina respectively, the couple made a second career in pottery making. Rosa is a retired nurse and Winton retired from a carpet installation business. He also served as an army paratrooper during the Vietnam War. Winton first learned to turn pots on a traditional kick wheel after being encouraged to do so by Rosa and their daughter Fredriana. A decade later, Rosa began coiling and glazing in collaboration with Winton. Today Winton creates pottery using an electric wheel and does most of the decorative work, while Rosa specializes in customizing and applying glazes and her repertoire includes a diverse range of types and colors. Rosa also produces large pieces of pottery including large bowls, vases, and decorative forms using the coiled method. Most of the Eugenes' pottery incorporates detailed decorative work including painted scenes and carved relief work. These decorative elements involve images from nature and the surrounding environment. As Winton says, “In two hundred years, I want these things about my daily life to stand out, so others will know this is where I worked and lived.” Their experiences growing up in Louisiana and South Carolina, along with many years living in Chicago, inform much of their work.   The couple received honorary doctoral degrees in Fine Art from the University of South Carolina. Their work has been exhibited in museums across the globe including China, Germany, and throughout the South. Their rare and highly collectible Tribute Jugs are a part of the ground breaking traveling exhibit The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, organized by the Virginia Museum of Fine Arts (VMFA) and curated by Valerie Cassel . The art exhibit proposes that the culture of the African American South, as defined by music and vernacular art, is the bedrock of American culture itself, with a strong influence on new art today. Works by the Eugenes are available at Neema Fine Art Gallery. Their Tribute Jugs are inspired by face jugs created by David Drake...

The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. This beautifully rendered ceramic vessel is perched on little decorative feet that poke out of the body of the piece. Of particular interest and commanding presence are the decorative forms attached to the top and sides. They twisted shapes of bent organic growth and provide endless entertainment for the creative imagination. American Post War and Contemporary Artist, Gawaine Dart...