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Brian NeishKarma - abstract contemporary geometric orange square oil on canvas2020
2020
$2,434.42
£1,800
€2,131.07
CA$3,365.80
A$3,770.26
CHF 1,980.28
MX$45,845.19
NOK 25,076.79
SEK 23,804.62
DKK 15,905.03
About the Item
Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time.
Initial ideas usually develop out of the close study of old shutters, doors and panels, especially in ancient hilltop towns in Italy and France. His work does not refer directly to original architectural features, rather it processes compositional ideas gleaned from them, and attempts to express something of their essential nature.
Brian’s White’ paintings series is the latest iteration of his passion for rendering multiple layers of oil colour upon canvas or board. White not only brings a sense of calm to the paintings, it also cleanse them. Grids on the other hand give an opportunity to vary each painting’s ‘look’ and character.
- Creator:Brian Neish (1962, British)
- Creation Year:2020
- Dimensions:Height: 29.93 in (76 cm)Width: 29.93 in (76 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU73836806362
Brian Neish
Brian Neish is an abstract painter, born in 1962 in Derby. Neish has a diploma in art and education from Alfred University and after his studies, he became a teacher and taught in several English institutions. Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects as noble decay to suggest a sense of them displaying increasingly unique visual qualities over extended periods. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time and each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint and seems to be a conversation between time and space. Neish’s pieces have a front and solid appearance, like the zoom of a more massive structure.
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