Peter Schenck

"Rembrandt Woman", acrylic painting, portrait, abstract, cubism, classic pose

2018

"Woman in Pink, Blue, and Gray" is an acrylic on canvas painting measuring 24" tall by 18" wide. It's very active, with a woman wearing a colorful cap with feather, her tresses falling down behind/beside her, portrayed with cubist abandon as the artist folds in Picasso with Philip Guston... Note all the formal elements are present – her eyes, her smile, her dress and bosom – yet assemble and disassemble in front of our eyes. From Peter Schenck...

"The Gatekeeper" is a mysterious painting, seemingly both a portrait and a situation – perhaps a portrait of a barrier. Gatekeeping suggests inclusion a...

"Plein Air Painter" is a key work of art among Peter Schenck's many remarkable paintings, and addresses situations that continue to fascinate the artist ...

"Strengths and Weaknesses" is a portrait exploring several elements and strategies that fascinate the artist – notably the performance anxiety induced by simply being an artist, staring down the freight train of art history as it hurtles toward you every time you pick up a brush. Luck? Talent? Maybe. There are signposts and guides in this painting, of course (Cubism! Surrealism! Brancusi! Guston!), but they can clobber you too if you're not careful. Even the phrase "strengths and weaknesses" smacks of compromises and rationalization – deadly to an artist looking to construct their own integral world. "Strengths and Weaknesses" is an acrylic and charcoal on canvas measuring 54" tall by 54" wide. It was included in the artist's solo show "Comedy Cellar" at Freight + Volume Gallery, New York City in July 2018. (See last photograph for an installation view.) From Daniel Gerwin – "Schenck’s color is vibrant, wild, saturated to the point of overheating, and altogether brilliant in the balancing of hues, temperatures, shapes, and color quantities. The paintings have a remarkable coherence for their dizzying juxtaposition of so many small chromatic passages." (Essay: The Anxiety and the Ecstasy) Peter Schenck...

"The Conversation" is an oil painting on canvas measuring 54" tall by 54" wide, and a key artwork among Peter Schenck's many remarkable paintings address...

"Lazarus from the Tombstone" is an acrylic painting with oil stick, graphite and collage elements on canvas measuring 86" high by 98" wide. It references the story of Lazarus risen f...

"Simulacrum" is a commentary on the intricate interplay between the real and the digital, the tangible and the virtual. It is an invitation to question the authenticity of the experi...

SET US IN STONE II 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of pink, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the pink ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone I" (as pictured). Price and size are per painting. Evans Deventer...

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...

AN URGENT MAN 2020 Paris, France Oil and acrylic on canvas portray a ‘derbyed’ man attempting to shed the weighted armor of his obligations and persona. A very loose nod to the char...

Angels Grau is a Catalan artist who spends her time between Barcelona, New York, and a small village located in the breathtaking Priorat, one of the most notorious wine regions in Europe. This combination allows her to have the best of three worlds; it brings together the creativity and passion that her paintings demand. "I invest time in my work. You must look at paintings on different days, with different eyes. There is a need to go back to it again and again.” Born to a family of artists, she grew up surrounded by drawings, tapestries, and paintings that awakened a special sentiment that over time matured into her work. A graphic designer first and painter by evolution, in 2018 she decided to make the leap into becoming a full-time artist. Nothing has deterred her since. After traveling the world and bringing up four children who are almost living their own lives, the artist feels the need to empower the role of women inspired by her own journey. “Invisible Women” is a tribute to each and every woman that fights from anonymous positions, in everyday jobs and everyday lives, to improve their family, their society, their world. Some of her pieces are part of the personal art collections of different CEOs of fortune 100 companies. “Invisible Women” is part of a recent purchase...

Angels Grau is a Catalan artist who spends her time between Barcelona, New York, and a small village located in the breathtaking Priorat, one of the most notorious wine regions in Europe. This combination allows her to have the best of three worlds; it brings together the creativity and passion that her paintings demand. "I invest time in my work. You must look at paintings on different days, with different eyes. There is a need to go back to it again and again.” Born to a family of artists, she grew up surrounded by drawings, tapestries, and paintings that awakened a special sentiment that over time matured into her work. A graphic designer first and painter by evolution, in 2018 she decided to make the leap into becoming a full-time artist. Nothing has deterred her since. After traveling the world and bringing up four children who are almost living their own lives, the artist feels the need to empower the role of women inspired by her own journey. “Invisible Women” is a tribute to each and every woman that fights from anonymous positions, in everyday jobs and everyday lives, to improve their family, their society, their world. Some of her pieces are part of the personal art collections of different CEOs of fortune 100 companies. “Invisible Women” is part of a recent purchase...