Items Similar to Elizabeth Riley, Digit and the Falling Moom, 2017, Polyester, Acrylic Paint
Want more images or videos?
Request additional images or videos from the seller
Elizabeth RileyElizabeth Riley, Digit and the Falling Moom, 2017, Polyester, Acrylic Paint2017
2017
About the Item
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island, Maine, 2017, the I-Park Residency, East Haddam, Connecticut, 2015 and 2013, and the Anderson Center Residency (supported by a grant from the Jerome Foundation), Red Wing, Minnesota, 2013, and the SIM Residency, Reykjavik, Iceland, in 2011.
- Creator:Elizabeth Riley (American)
- Creation Year:2017
- Dimensions:Height: 21 in (53.34 cm)Width: 23 in (58.42 cm)Depth: 7 in (17.78 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Darien, CT
- Reference Number:1stDibs: LU17222358623
Elizabeth Riley
Elizabeth Riley’s art addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts. The works produced take the form of two and three dimensional wall works, installations, and tabletop cityscapes, made from video, video stills, and diverse materials. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. The artist recently completed a proposal, as a finalist, for a Percent for Art commission for a public school in New York City. April 2021, her two dimensional wall work was presented in a 2-person show at Spantzo Gallery on New York City’s Lower East Side. She was a resident at the Millay Colony, November, 2020, and “Ribbons Become Space,” a solo show of her work, featuring an installation including six live video elements, was presented at SL Gallery, in Manhattan, 2019.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2014
1stDibs seller since 2015
141 sales on 1stDibs
Typical response time: 16 hours
- ShippingRetrieving quote...Ships From: Darien, CT
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Elizabeth Riley, Rocking Shapes, 2017, Polyester, Acrylic Paint, Inkjet PrintBy Elizabeth RileyLocated in Darien, CTElizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...Category
2010s Abstract Expressionist Mixed Media
MaterialsPolyester, Paper, Acrylic, Inkjet
- Elizabeth Riley, Hook Made From Ether, 2017, Acrylic Paint, Inkjet Print, PaperBy Elizabeth RileyLocated in Darien, CTElizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...Category
2010s Abstract Expressionist Mixed Media
MaterialsPolyester, Paper, Acrylic, Inkjet
- Elizabeth Riley, Video Feet, 2017, Paper, Acrylic Paint, Inkjet Print, PolyesterBy Elizabeth RileyLocated in Darien, CTElizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...Category
2010s Abstract Expressionist Mixed Media
MaterialsPolyester, Paper, Acrylic, Inkjet
- Elizabeth Riley, Arthropod, 2017, Polyester, Paper, Acrylic Paint, Inkjet PrintBy Elizabeth RileyLocated in Darien, CTElizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...Category
2010s Abstract Expressionist Mixed Media
MaterialsPolyester, Paper, Acrylic, Inkjet
- Sylvia Schwartz 7, 2018, wood, fabric, plastic, paint, 9" x 7.5" x 2"By Sylvia SchwartzLocated in Darien, CTSchwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsPlastic, Fabric, Wood, Found Objects, Acrylic
- Sylvia Schwartz 8, 2018, wood, fabric, plastic, 11" x 11.5" x 2"By Sylvia SchwartzLocated in Darien, CTSchwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsFabric, Plastic, Wood, Found Objects, Acrylic
You May Also Like
- Assemblage #5 (Ornithology Illustrations & Glass Slide with Silver, Gold Paint)By Michael PaukerLocated in Soquel, CAAbstract expressionist found object assemblage on wood with highly expressive silver and gold paint by Bay Area artist Michael Pauker (American, b. 1957). Against the raw woodgrain, the artist has attached several objects, including paper fragments of ornithological illustrations of birds...Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
MaterialsGlass, Plastic, Wood, Paper, Oil, Found Objects, Acrylic
- ElephantBy Wyona DiskinLocated in Aramits, Nouvelle-AquitaineWyona Diskin, American (1915 - 1991) Elephant Acrylic on canvas mixed with collage cut out paper, foam, Signed. Measurements: H 60 x W 50 x D 1.0 inches Wyona Diskin, an American p...Category
1970s Abstract Expressionist Abstract Paintings
MaterialsAcrylic, Foam, Paper
- ECHO II - Grey, Purple, Yellow Contemporary Abstract Mixed Media PaintingBy Heather HartmanLocated in Signal Mountain, TNThis painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...Category
2010s Abstract Abstract Paintings
MaterialsPolyester, Paper, Oil, Acrylic, Gouache
- THE LONG SUMMER - Contemporary Abstract Mixed Media Painting, Green, LightBy Heather HartmanLocated in Signal Mountain, TNTHE LONG SUMMER captures the patterned light peering through the blinds on a late Summer's afternoon. This painting is is part of an on-going series th...Category
2010s Abstract Abstract Paintings
MaterialsPolyester, Paper, Oil, Acrylic, Gouache, Mesh
- WHIRL II - mixed media abstract painting of light and shadow, purple, yellowBy Heather HartmanLocated in Signal Mountain, TNWHIRL II captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image...Category
2010s Abstract Abstract Paintings
MaterialsPolyester, Paper, Oil, Acrylic, Gouache, Mesh
- AUGUST 21 - Contemporary Abstract Mixed Media Painting, blue water with lightBy Heather HartmanLocated in Signal Mountain, TNAUGUST 21 captures the 2017 solar eclipse in Knoxville, TN. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an imag...Category
2010s Abstract Abstract Paintings
MaterialsPolyester, Paper, Oil, Acrylic, Gouache, Mesh