Evan Blackwell-Helgeson

"Meeting Place" - colorful abstract painting - pure abstraction - Frankenthaler

2022

This painting is a mixed media abstract work on canvas featuring hues of orange, green, blue and yellow. Evan is inspired by the works of Frank Bowling, Helen Frankenthaler, Candid...

This painting is a mixed media abstract work on canvas featuring hues of orange, blue, yellow and black. Evan is inspired by the works of Frank Bowling, Helen Frankenthaler, Candida...

"Riverway" is an abstract painting featuring vibrant hues of white, orange, green, blue, red and yellow. Cynthia Knapp is inspired by the works of Joan Mitchell, Helen Frankenthaler ...

"Demure" is an abstract painting featuring hues of white, orange, green, blue and yellow. Cynthia Knapp is inspired by the works of Joan Mitchell, Helen Frankenthaler and Grace Harti...

This is a one of a kind original painting by southern California artist, Kelsey Overstreet. Its dimensions are 36" x 36" x 2" (HxWxD). It is acrylic and spray paint on canvas. It is unframed. A certificate of authenticity will follow delivery. Kelsey Overstreet lives in North County San Diego with her husband, daughter and son. Overstreet is currently an adjunct professor of Visual Arts at Point Loma...

Phenomena Quoth by Paul Jenkins (1923-2012) Acrylic on canvas 76 x 100 cm (29 ⁷/₈ x 39 ³/₈ inches) Signed lower center, Paul Jenkins Signed, titled and dated on the reverse Executed in 1963-64 Provenance Kenmore Galleries, Philadelphia Dr. Theodore A. Feinstein collection Sotheby's New York, 24th February 1995 Crozier Fine Arts, New York Private collection, New York Artist biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco of Buddha, polychrome sculptures of the enlightened Bodhisattva, the Buddhist goddess of mercy Kuan-Yin, Indian bronzes of Hindu god Shiva, and statues of meditative Buddhist lohans. Serving in the US Naval Air Corps during the Second World War, Jenkins painted watercolours of Japanese Kabuki dancers and read the ancient Chinese poetic teachings of the I Ching and Lao Tse Tung’s Tao Te Ching...

Artist: Robert Kautz, Austrian Title: untitled Year: 2001 Medium: Acrylic and Mixed Media on Paper, signed Size: 25.5 in. x 19.5 in. (59.69 cm x 49.53 cm)

To great effect, Mel Davis uses colour, shape and patterns to convey emotion in this abstract composition. The palette is dramatic—rich tones of blues, green, orange and burgundy. ...