Herman Renger

Harmonic Convergence

c. 1960

BOOM! mixed oils on panel 40 x 70 inches (unframed, raw wood sides) $14,500 Joe Ostraff is a professor of art at Brigham Young University. He received a BFA from Brigham Young Univ...

Alejandro Rubio Back to Bauhaus, 2024 Oil on panel 20 x 16 inches This is a one-of-a-kind oil painting on panel.

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

"Leaping Without Annette" is an original, handmade oil painting on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometr...

"History Sticks to Your Feet" (2025) is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in a pale blu...

"Uniformly Coordinated Tectonic Preferences IV," by Kati Vilim is a blue and magenta scale abstract geometric, non-objective, oil painting on canvas over wo...

"Uniformly Coordinated Tectonic Preferences II," by Kati Vilim is a blue and magenta scale abstract geometric, non-objective, oil painting on canvas over wo...

Rosebud, 2013, is a large scale oil painting by abstract geometric artist, Kati Vilim. This abstraction is an optical illusion, with cascading cubical forms in a series of red hues ...

So Real, 2013, is a large scale oil painting with a bold saturated palette by abstract geometric artist, Kati Vilim. This abstraction is an optical illusio...

This 11" x 14" oil on canvas painting is by Boston-based artist, Anthony Dyke. The painting is an example of geometric abstraction, composed through an arrangement of rectilinear forms, each rendered in bold, saturated color. Dominating the left side is a deep green vertical rectangle and adjacent to it is a narrow red vertical stripe, generating a visual dialogue between the broader green plane and the surrounding forms. A field of light blue occupies the top portion above. mid-composition, a horizontal mint green band stretches across the surface, and on top rests a tilted rectangular form shifting from white to warm red in a subtle gradient. To the far right, a tall blue vertical bar intersects with a fine yellow line. The base of the painting features a complex layering of darker hues: a black horizontal stripe, accompanied by stacked rectangles in red, purple, and yellow. Anthony Dyke was born in Norwich, Vermont and attended the School of the Museum of Fine Arts at Tufts University earning a BFA and MFA in painting. As an artist and arts educator, he relocated from New York City to his downtown Oklahoma City studio, working there for two decades before returning to Boston in 2020. Coming from Vermont where the seasons are distinctly different from one another, his shift from a pastoral setting to an urban environment set up a dichotomy in the work, both visual and emotional. Tony has an extensive education in painting, photography, graphic design and figure sculpture. These mediums intersect in his work through many years of creating artworks and currently speak to his interest in abstract painting. During his senior year in the BFA Program at the School of the Museum of Fine Arts in Boston, my large painting “Natole” was chosen by Frank Stella (the juror) into the highly competitive and prestigious Dana Pond...