Jonathan Moss

CN 7 - Oil Painting, inspired by surface structure of planets and the moon

2018

On a prominent hilltop in Wiltshire, there is a circular ring of trees known as Furze Knoll. It dominates the prehistoric landscape that lays between Marlborough and Stonehenge. It is an ethereal place so rich in mystery that you can easily imagine the fay living amongst the rooks, badgers and foxes It is a landscape where the artist Lee Tiller has lived for many years, and in this evocative painting, he invites us to reflect on the beauty and mystery of the sacred Wiltshire landscape. Rook Haven captures the atmospheric effects of a bright winter’s morning where a dusting of snow has settled on the frosty ground. Tiller’s fascination with natural light is clear to see with his chromatic rendering of reflected sunlight. As he says, “snow is never ‘white’, but is the result of reflected light and adjacent colour. The painting by Pissarro...

Sophie Berger Sweeping Winds Original Landscapes and seascapes Oil Paint on Canvas Image size: H:15 cm x W:21 cm Complete Size of Unframed Work: H:15 cm x W:21 cm x D:0.5cm Framed Si...

Annamarie Dzendrowskyj's painting 'Twilight – M25 X' is an original oil painting on Australian polyester canvas. This work is framed: 34 x 42.5cm. Canvas size: 28 x 38 cm. oil Annama...

Gina Parr My point of view Original Oil and Acrylic Painting on Canvas Oil and Acrylic Paint on Canvas Canvas size: H 60 cm x W 60 cm x D 2.5 cm Sold unframed Ready to hang and signe...

Jacek Wojciechowski (born 1954) Professor at the Department of Painting Faculty of Art UMCS in Lublin. Graduated from the Academy of Fine Arts in Wroclaw at the Faculty of Painting, ...

Jacek Wojciechowski (born 1954) Professor at the Department of Painting Faculty of Art UMCS in Lublin. Graduated from the Academy of Fine Arts in Wroclaw at the Faculty of Painting, ...

Composition 7777, 2018., 95x100 cm Abstract composition. Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...

Vulnerability, 100x100cm