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Lisa Pressman
Messages #20, mixed media abstract painting on paper, neutral earth tones

2020

$810
£623.11
€723.25
CA$1,142.29
A$1,279.56
CHF 672.07
MX$15,559.05
NOK 8,510.62
SEK 8,078.87
DKK 5,397.89

About the Item

Paper size is 12 x 9 inches. Letraset, ink and pigment stick on handmade paper. Framed. Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before moving toward painting in the 1980s, shaped by Minimalism and Abstract Expressionism. In her paintings and works on paper on view at SEFA Hudson, materiality remains central: “a source and an influence on what happens within each work, the imagery, the composition.” Crafted through Pressman’s masterful handling of wax and pigment, these new encaustic paintings demonstrate her continued interest in mark-making, as she layers these materials to build up surfaces. Entitled “Things That Were Never Said,” this work evolved from her previous “Navigation” series of encaustics, which similarly manifest themes of transience and transformation, loss and liminality. Also on view in this exhibition, “Messages” is a recent and ongoing series of mixed media works on paper. Pressman collects handmade paper, including Japanese Shikishi board that is edged with gold, as well as Letraset: rub-on letters employed by graphic designers before the computer era. On these unique papers, the artist employs the press-on letters as a mark-making tool to create a symbolic language—hieroglyphic and intuitive. This work was made during the pandemic as a means to meditate and to process the past few years of her life. Further manipulating the works, Pressman embellishes the paper with gold paint and ink, uses palo santo incense to create marks with smoke, and also sews into the backgrounds with colored thread (often red). Thus, a number of the pieces become objects—almost artifacts—generating a visceral allure via their handmade qualities and sense of tactility. Pressman recognizes the metamorphic potential within her recent body of work. Rooted in her own experiences of loss, articulated through her lyrical, ambiguous language—they reflect the grief of the world: a universal collective unconscious, influenced by “stored memory” yet “reshaping histories and futures.”

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