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MajioDiptych Playing with Mu2022
2022
About the Item
Acrylic paint with water-soluble Art Graf and graphite heightens the directness of marking in this diptych series on paper. Art Graf comes in tailor’s squares, easily fitting into the hand to use the edges or the flat sides. This media helps to explore ongoing investigation of Majio’s pursuit to understand and see beneath the rational bias of Western culture that obscures poetic truth. Over a decade in Japan revealed how the assumed paradigm of the postmodern world was not the only game available. Majio has used a visual arts-practice to expand the cultural perception of reality that she was born into in search of deeper perceptions of life.
White paint evokes empty space or mu. The Chinese character for mu is depicted to the left. The color of the handmade paper and blue Art Graf over textured impasto suggests that the nothingness of emptiness has expression. Perhaps it is like the sea foam of the waves at the edge of vastness convening to indicate what is not yet apparent.
- Creator:Majio (1945, American)
- Creation Year:2022
- Dimensions:Height: 24 in (60.96 cm)Width: 36 in (91.44 cm)
- More Editions & Sizes:nonePrice: $650
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU2783215469792
Majio has training in the United State, several years in Europe with a Master’s degree from the Buddhist University of Naropa in Creation Spirituality. Her most influential training however was in Japan over a twelve year period. Her initial trip to Japan was to study Buddhist Art, but it quickly narrowed to the traditional arts of Zen and masters if that orientation in other cultural arts. It was not so much what was learned in a papermaking village, kimono dyeing studio or the making, filling and firing woodburning kilns but how to learn or, better said, how to practice. There are many words in Japanese for practice, the one here is the polishing of being. In painting, Majio has always flowed back and forth between figurative and abstract expression. The aesthetics and Cultural Arts--- like calligraphy and tea ceremony---- garnered during her apprenticeships in Japan, along with Zen practices and concepts weave many textures into her work. Majio’s pieces are created with the overarching concept that art is not a polarity between object and subject but rather, complementary, where each part works to define each other. Working from a collaborative process-with materials, with subject and with times, Majio releases herself as sole agent, even when hers are the only hands that touch the piece. This carries out to the viewer, opening a sense of participation, evoking involvement and discussion. Inviting a realization of recognizing and choosing to acknowledge a reality beyond what we have inherited provides a platform for evoking possibilities, innate joy and new vision.
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