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Melisa Taylor Metzger
CSW 2024.9 (modern space âge galactic cobalt grid minimal painting wood)

2024

$1,320
£1,013.70
€1,161.69
CA$1,858.23
A$2,081.63
CHF 1,082.71
MX$25,391.62
NOK 13,784.31
SEK 12,997.62
DKK 8,670.55

About the Item

The series "CSW" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of airbrush painting and hard-edge techniques on wood, this ethereal series solicits our visual perception by suggesting optical motifs emerging out obscuration and shimmering planes. The piece comes ready to hang and is lightly with clean natural wood edges. keywords; Repetition, Vegetal, Op Art, Design, Multilayered, Dynamic Composition, Floral, Serial Formalism, Gold Shimmer, Gold, Grid, contemporary, white, green, blue About the artist: In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an aesthetic of duality by hybridizing divergent approaches to art. Her studio practice is labor-intensive; various instruments and electric tools are used out-of-context to inject unpredictability in the painting gesture. Melisa has assimilated to her visual language an eclectic multilayering process combining hand-made stencilling, airbrushing, pyrography and staining on wood. Mechanical-like execution and arbitrariness converge to create what she calls "systèmes faillibles" whereby painstakingly applied layers are potentially defaced by one single final intervention. A resulting subterranean tension is generated that jeopardizes the ethereal aspect of her imagery populated by spectral motifs that simultaneously emerge and recede through an obscuring lattice. Melisa Taylor's vibrant geometric abstractions evoke simulacra of human-scale screens that attempt to capture the vertiginous amount of incoming data and distractions contemporary humans experience on a daily basis in this era of “hyper-connectivity”, all the while attempting to temper the “noise” to induce a contemplative experience. Melisa lives and works out of her home studio in Quebec City.

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