Ty Joseph

"Star Hailing L's" Abstract Painting 48" x 48" inch by Ty Joseph

2017

"Womb" Abstract Painting 36" x 48" inch by Ty Joseph From 7 L's series 2017 * * * The meaning of L series * * * Although influenced by Pop Art, with its ...

"Gates of Angel" Abstract Painting 60" x 72" inch by Ty Joseph From 7 L's series 2017 acrylic on canvas Comes with a black floater frame * * * The meani...

"Warhol" Abstract Painting 36" x 36 inch by Ty Joseph From 7 L's series 2018 acrylic on canvas 36" x 36" inch * * * The meaning of L series * * * Althoug...

"Untitled 1" Painting 102" x 102" inch by GUELA TSOULADZE Oil painting on oilcloth canvases. ABOUT THE ARTIST: Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything. The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works. Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition. In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis. Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts. Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond. Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned! New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi. It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution. Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...

In his painting "110x100=2", Pierre Morquin plunges us into a fascinating abstract universe. Vivid, contrasting colors such as red, yellow, blue and green intermingle to form geometr...

Uui Oggawaa (Abstract painting) Acrylic and color tape on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abstraction to describe his wo...

"100x100=1", Pierre Morquin invites us on an initiatory journey into an abstract, dreamlike universe. Geometric lines and shapes, in bright, vibrant colors, intertwine to create a complex, dynamic composition. The painting evokes a sense of movement and transformation. The lines seem to stretch into infinity, while the shapes metamorphose as you look. The artist invites us to let ourselves be carried away by the rhythm of the painting, to let our imagination wander. We can see an Aboriginal influence, with motifs reminiscent of cave paintings. The painting could represent an imaginary map...

A colorful composition of energetic brushstrokes on a loose background of acrylic washes and horizontal lines. :: Painting :: Abstract :: This piece comes with an official certificat...