Ryan Rivadeneyra

Rainbow Curves, Painter's Palette Translucent Shapes, Large Diptych on Paper

2024

Primary Color Curves III, is an original painting that presents a lyrical study in movement and form. This large-scale triptych orchestrates a dance of organic silhouettes across a ...

This is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, and 70's, explore ab...

Two Dancers is a fluid exploration of movement, balance, and emotional resonance through abstract form. This vibrant diptych captures a dynamic choreography of shape and color—overla...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

In this painting, Michelle Weddle utilizes line, color, and form to create a work which acts at the balance between the nonobjective and representation...

Horizontal bars of blue, maroon, cherry red, pink, lemon yellow, burnt orange and green communicate on a soaked sand-coloured ground in the two panels that form this 9-foot square acrylic diptych painting on canvas. The rhythm of the spaces between the short lengths of colour creates a dialogue of movement that leads the eye upwards through the large picture plane. About the inspiration for the work, the artist wrote: "This is one of the rare paintings that I saw clearly in a dream and painted almost exactly as I saw it. It relates back to the four-panel work, Lock-Up (1972), done a couple of months earlier, where I used the physical break between panels as an edge to anchor some colour bars. In Phoenix, some bars are anchored while others float within the larger ground colour." This painting was included in the exhibition catalogue Milly Ristvedt-Handerek: Paintings of a Decade (1979). Milly Ristvedt, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe at the Vancouver School of Art. In Toronto, during the 1960s and 1970s, she was making and exhibiting large-scale paintings alongside a small but defined group of non-figurative painters who, like Ristvedt, had planted...

GEOTHERMAL by Michelle Weddle is an acrylic on canvas painting consisting of hard-edged geometric and curvilinear shapes of solid color. Light blues and greens are met by blocks of c...

In this painting, Michelle Weddle utilizes line, color, and form to create a work which acts at the balance between the nonobjective and representational. Painting rich pastel pinks ...